Category: Interviews

An Interview with Lawrence Gordon Clark, Master of Ghostly Horror

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Lawrence Gordon Clark, with one of his monsters from The Ash Tree.

Y’all ever see that movie The Signalman? About the British railwayman who sees a ghost? It’s part of a series the BBC did from 1971-1978, called A Ghost Story for Christmas. All but a handful of these films were adaptations of M. R. James stories, and all but one were directed by Lawrence Gordon Clark, who’s directed dozens of programs and telefilms for British television from the 1970s to his retirement in the early 2000s.

Mr. Clark wrote a book called The Christmas Ghost Stories of Lawrence Gordon Clark, a collection of the original M. R. James and Charles Dickens source material alongside recollections of the productions. He also has a short story collection, Telling Stories, due out soon.

Mr. Clark was kind enough to speak to me about M. R. James, Alfred Hitchcock, and his long and fascinating career:
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An (Imaginary) Interview with Spike Lee

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I’ve also done an (imaginary) interview with Steven Spielberg.  That one is cool too.

White people hate Spike Lee and I have no idea why.  When I was in film school, they brought in this huckster guy to talk to us about producing, and he mentioned Spike Lee, and then, as an aside, he made sure to tell us that he doesn’t think Mr. Lee is talented.  Things like that happen all the time and I don’t get why.

When I was seventeen, Spike Lee’s Do the Right Thing was my favorite movie, if you can believe it.  At that time I was exploring American independent and foreign ‘cinema’. They say the best way to be an atheist is to read the bible. Well, the best way to love real movies like Back to the Future is to watch French movies and American indies. However, in small ways, Do the Right Thing holds up for me. It’s definitely Spike’s most complete movie—it has arcs and a brilliant ensemble.  The compositions and camera movements are mind-blowing, and it does a great job of making you feel like you’re on the block. It’s alive and adventurous—it’s filled with music and color and jokes and fun—not to mention, some very touching human moments. In fact, the only thing it really lacks is clarity. It’s so much of a hang-out movie that you end up having to accuse it of loitering. But, I’ll always have an affection for it, and I’ll never call it a bad movie.
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An Interview with Molly Bernstein, Director of ‘Deceptive Practice: The Mysteries and Mentors of Ricky Jay’

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Molly Bernstein, Alan Edelstein, Ricky Jay, and Scott Foundas at The New York Film Festival world premiere of Deceptive Practice. Photo by Joe Holmes.

I’ve been a fan of Ricky Jay’s since I was a kid, when I saw his TV special, Ricky Jay and his 52 Assistants. I remember being taken by how different he was from anyone I’d ever seen perform magic—stern, with no bombast. He made magic this manly, intimidating thing, like a cigar or something. I’ve been scared and mesmerized by him ever since.

As I grew older, he and his inimitable voice turned up in some of my favorite movies, such as Boogie Nights, Magnolia, Homicide, and Things Change—and of course, my favorite TV show of all time, Deadwood. And now he’s the subject of one of my favorite documentaries of last year—Deceptive Practice: The Mysteries and Mentors of Ricky Jay.

Recently, I had the opportunity to sit down with Molly Bernstein, the director of this wonderful film:
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The Man Who Built R2D2 and Brought us ‘Battlefield Earth’: An Interview with Roger Christian (Part 2)

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Editor’s Note: If you haven’t read Part 1 of this interview, do so before reading on.
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The Man Who Built R2D2 and Brought us ‘Battlefield Earth’: An Interview with Roger Christian (Part 1)

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Roger Christian built the future with his own two hands. As set dresser for Star Wars and production designer for Alien, he’s the man who, among other things, built R2D2 and made an industry out of turning scrap metal into spaceship walls. As director of films such as The Sender and Battlefield Earth, he’s no stranger to the dizzying highs and lows of filmmaking. His life’s work is a reminder that it is no mean feat to get by in this industry.

These days, Roger has a book coming out, a new film, Stranded, available on Netflix, and is currently gearing up for the imminent release of his long-lost companion piece to The Empire Strikes Back, the short Black Angel. I was very honored that he took the time to sit down with me.
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