Proposed Double Feature: ‘The 400 Blows’ & ‘The Creature Walks Among Us’

creature

Bringing to Smug Film a project I started at Shot Context, in which I offer unusual and enriching double features.

At long last, our troubled protagonist—violent, family-less, unable to conform—shakes loose his pursuers. We lean forward in our seats. The ocean is before us; the black-and-white frame blanches in the unforgiving sunlight. Long a source of comfort for our hero, we are finally here. And the camera tightens on his face. A face defined by captivity, always hemmed in with fences and borders, sees the sea. And then… nothing. That’s it. We can go no further. The journey is over. The end.

It’s a curious, but perhaps not entirely unsurprising fact that little Antoine Doinel—director Francois Truffaut’s alter ego—meets the same end that the Creature from the Black Lagoon did three years earlier. A close look at the films, and filmmakers, might account for this lovely synchronicity.
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‘Life is Sweet’ & ‘Naked’: My Mike Leigh Entry Point

lifenaked


Until recently, I’d never seen a Mike Leigh film. I’ve been familiar with his name for ages, though. Back in my teens, I worked at a hip indie video store that had a ‘Directors’ section—Allen, Godard, Rohmer, Scorsese, Truffaut, Verhoeven, the list goes on. Anyone with a substantial filmography worth exploring was represented, Leigh included.
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My Streets: The Best Parts & Full Review

Last week, I introduced you all to the best so-bad-it’s-good movie you’ve never seen.  The above video is a compilation of my favorite parts, and here is my full review I promised:
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