While y’all are recovering from food comas, why not catch up on your Smug Film reading? This week, we reached 150 posts, and chances are, you haven’t read all of them. Back when we hit the 100 post mark, we made a list of 10 Must-Read Smug Film Posts, so if you haven’t read the ones on there, definitely do so. And if you have, here’s 10 more, culled from our 50 posts since then:
Continue reading 10 More Must-Read Smug Film Posts (We’ve Reached 150 Posts! Woo!)
Zachary Levy’s film, Strongman, is one of the rawest and best cinematic portraits in recent history. In it, he follows Stanley ‘Stanless Steel’ Pleskun, the self-proclaimed ‘strongest man in the world at bending steel’. Over the course of the film, we intimately see Stan’s ups and downs, which are at times comedic, at times tragic, and at times, that perfect, indescribable mix of both. This is a film one watches and never forgets, and thinking back on it later, you almost feel as though you’re thinking back to a chapter of your own life, even though you may have nothing in common with Stan’s experiences and surroundings. It’s that vivid.
I reviewed Strongman a few weeks ago, and I recently had a chance to sit down with Zach and chat about his film. The interview is spoiler-free, so if you haven’t seen the film yet, no worries. But do yourself a favor and see it soon. It’s currently available on iTunes and on DVD.
Continue reading An Interview with Zachary Levy, Director of ‘Strongman’
Directed by Zachary Levy
A day after I posted my How To Watch a Film essay, I received an email from the director of this film. He reached out because loved the essay and he’d gone through, with his own film, exactly what I described going through with my film, Rehearsals—people that were ambivalent about it when watching a screener and then blown away in a theater setting.
For a long time, he avoided releasing his film on DVD because he felt that a theater was the ideal setting to see it, and he wanted to do whatever he could to make sure as many people as possible could see it properly. However, he’s recently decided to finally take the plunge and release it on DVD and Digital, and it’s due out this month.
Zach was kind enough to send me an advance copy of the DVD in the mail, which I watched this past week, and let me tell you—this thing is plenty powerful on an average-sized flatscreen. I don’t know that I could even handle this thing in a movie theater. This is one of the most gripping vérité docs I’ve ever seen in my life. It’s no surprise at all that it has a 100% rating on Rotten Tomatoes, was on Roger Ebert’s Year’s Best list, and was a New York Times Critics’ Pick.
Continue reading Strongman: Pitch-Perfect Cinema Vérité
See this rectangle? Not like this.
There’s a great YouTube video from 2008 called David Lynch on iPhone in which he discusses the ridiculousness of watching a film on such a device. The footage of him talking originates from the bonus features on Inland Empire, and music from an Apple commercial has been added over it as an extra fuck you to the empire. Watch it now, if you haven’t seen it already. It’s one of the best pieces of found object art on the internet.
What Lynch has to say in the video, everyone in their right mind pretty much agrees with: an iPhone is certainly no fucking way to watch a film. But please, those of you who have an iPhone or some sort of iPhone-esque smart phone near you right now, do me favor. First, open up the David Lynch video again, if you closed it. Now, pick up your phone. Place the phone over the YouTube video. It’s pretty much the same fucking size.
What this means is that you probably shouldn’t watch a film on a fucking YouTube or Vimeo or Hulu or Netflix window either. Yet plenty of people do this. In the world we live in right now, I might add; not some future dystopian Idiocracy world or whatever.
Continue reading How To Watch A Film