Smug Film Podcast Episode #7 – Acting Class / Steven Seagal / Homegrown Cinema

homegrown
1:22:58 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss an acting class John took, Jenna’s foray into the films of Steven Seagal, and for our main topic, we tackle the idea of homegrown cinema. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
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Smug Film Podcast Episode #6 – Good Movies, Bad Directors / Bad Movies, Good Directors

goodbad
1:17:43 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss movies we like by directors we don’t typically like, as well as movies we dislike by directors we typically like. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
Continue reading Smug Film Podcast Episode #6 – Good Movies, Bad Directors / Bad Movies, Good Directors

An Interview with Director and Actress Joan Darling, Pioneer of the 70’s

joandarling
Joan Darling (bottom left), part of the cast of Owen Marshall: Counselor at Law (1971-1973)

Joan Darling entered show business as an actress on the New York theater scene in the 1960s, then became a fixture of early 70’s television. In 1974, she made the leap from acting to directing and quickly made history as one of the first and most successful women directors in television. She had an instant knack for it—her debut, Mary Hartman, Mary Hartman, a soap opera parody, has become an enduring cult classic for its dark-edged humor and deep understanding of the desperation and sadness of the American home.

Highlights of her career include a Mary Tyler Moore episode, Chuckles Bites the Dust, which, for its deft tightrope-walk between comedy and pathos, TV Guide calls the greatest television episode ever; a classic M*A*S*H episode, The Nurses, which  revolutionized the way the show portrayed women; and a leading role in an episode of The Psychiatrist, directed by a pre-Jaws, pre-Duel Spielberg.

These days, Joan teaches acting and directing classes at the Sundance Filmmakers Lab. She agreed to a phone interview, and in about an hour, I learned more about the arts of acting and directing than I ever thought possible:
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The 10 Most Overrated Classic Movies

godfather

Nope, not gonna touch this one. Too easy.

It’s easy to pick on classics.  In fact, by virtue of being considered ‘classic’, they’re almost assuredly not as good as they’re said to be.  Anything so beloved is automatically suspect.  This is not contrarianism; it’s healthy skepticism.  In an age where most people still aren’t atheists and science is constantly hindered by new age nonsense, skepticism is beyond necessary.

I figured I’d apply that maxim to culture and pick the ten most overrated classic movies ever made.  But, like I said, it’s easy to pick on the big ones.  Casablanca, The Godfather, and Gone With the Wind all have their place in history, but that doesn’t make them better than Back to the Future.  And they aren’t.  Not artistically, and certainly not in our collective hearts.

However, here, rather than just list the most acclaimed classic movies and call it a day, I really wanted to hone in on some particular titles that I find obnoxiously overrated:

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