Netflix Longies #2 (Thunder Soul, 26 Years: The Dewey Bozella Story, Rolling Thunder, Mobsters, Batman: The Movie)

If you don’t know what Netflix Longies is, go read the first paragraph of Netflix Longies #1. I don’t feel like having to write it out again or copy and paste it or whatever. Anyway, here we go:

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Thunder Soul (2010) | Dir. Mark Landsman | 83 min.

I’m big into soul and R&B and funk and whatnot. Earth Wind & Fire, Frankie Beverly, Blue Magic, The Stylistics, Tavares, The Commodores—the list goes on. That’s the kind of music I was raised on, instead of Raffi or Barney or whatever. And there’s a channel on Time Warner Cable, in the MusicChoice section, called R&B Classics (channel 608 in NYC) and pretty much every night I’m listening to that while working on my laptop. It’s just calming as all hell.
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Documentaries: The Most Repulsive Genre

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Michael Moore, being repulsive. That was not intended as a dig at his physicality. He’d be repulsive even if he looked like Kat Dennings. Okay, maybe not then, but you get the point.

What is a documentary?

I know that may seem like kind of a ridiculous, pretentious question to ask, especially right off the bat of an essay or whatever, but I don’t mean it like that. I’m absolutely serious, and it’s an entirely valid question. What the fuck is one? I don’t think we really know. I mean, we know ‘em when we see ‘em I guess. Basically, they’re movies about real life. Nothing staged. Except interviews, of course. Interviews are, by their very nature, extremely staged and controlled and can very easily be manipulated by both the interviewer and the editor, but those get a pass, I guess. (As do dramatic reenactments, which can be very misleading, but are thought of as okay for some reason.) I think we can all agree though that documentaries definitely must not have a script that people are following. That’s for sure. Well—except of course in the case of a sort of monologue through-line or whatever. The documentarian gets a pass on having a script. Even if it’s way subjective. Man, this is getting contradictory. And confusing. And gross.
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Netflix Longies #1 (Girl Model, Kumaré, Foreign Parts, I Like Killing Flies, Monica & David)

This is basically the opposite of my Netflix Quickies series. Instead of movies I picked randomly on Netflix Instant that I tried for a few minutes and hated, these are ones I fell in love with and watched all of. So definitely check them out.

By the way, these are all documentaries, because for some reason the only stuff I’ve given five stars on Netflix lately have been docs. Just been really lucky with them, I guess.

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Girl Model (2011)
Directed by David Redmon and Ashley Sabin
78 min.
Continue reading Netflix Longies #1 (Girl Model, Kumaré, Foreign Parts, I Like Killing Flies, Monica & David)