Michael Bay: Futurist

Posted on May 16, 2014 by John D'Amico

pathsof

Paths of Movement + Dynamic Sequences, 1913 | Transformers: Dark of the Moon, 2011

Editor’s Note: John D’Amico’s piece, Michael Bay: Futurist, is no longer available on this site because it has been selected for inclusion in a upcoming scholarly print examination of the films of Michael Bay which is slated for release in 2018 via a major publishing house. The book will feature a wide range of new perspectives about Bay’s work from a range of scholars, cinephiles, and filmmakers.

This entry was posted in All Posts, John's Essays and tagged 300, abstract expressionism, alfonso cuaron, before the parachute opens, boccioni, darren aronofsky, debussy, Die Hard, dynamism of a man's head, dynamism of an automobile, elasticity, engulfed cathedral, filippo tommaso marinetti, fortunato despero, futurists, giacoma balla, giacomo balla, james cameron, john damico, luigi russolo, martinetti patriotic storm, michael bay, michael bay cubist, michael bay futurist, nude descending a staircase, pacific rim, paths of movement, smug film, smugfilm, speed of a motrcycle, street light 1909, synthesis of human dynamism, the iliad, the little rascals, transformers cubist, transformers futurist, tullio crali, umberto boccioni, wassily kandinsky. Bookmark the permalink.

8 Responses to Michael Bay: Futurist

Leave a Reply Cancel reply