Tomorrow, January 7th, marks the first anniversary of Smug Film! Thank you, everyone, who has visited our site in the last 365 days or so. I know I can speak for everyone here when I say that we are honored whenever anyone reads something on our site. In this Facebook, Twitter, Instagram, BuzzFeed world, sites like Smug Film—ones that produce actual, substantial content—seem to be disappearing. And so, when you choose to read one of our posts, you are voting, with your eyes and your brain and your free time, for the existence of full meals on the internet. Don’t get me wrong, bite-size sweets are fine in moderation, but man have they become rampant in the last couple years. It seems as though we’re stuck in this weird time period where the less attention a thing takes, the more popular it is, and the more time people spend with it. Basically, it’s like everyone’s playing Candy Crush non-stop, whether they’re even playing the actual game or not, ya feel me? But I digress.
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Author: Cody Clarke
Cody Clarke’s 2013 in Film
Didn’t see too many new movies this year. Only thirteen in total. Mostly just watched older stuff. In fact, I went to the theaters to see old movies way more than I went to see new ones. This was a particularly great year for screenings of classics, here in NYC. BAM devoted a month to all of John Cassavetes’ films, and did a mini Douglas Sirk retrospective too. And Film Forum had King Kong—a staggeringly gorgeous print of it.
The new movies I did see in theaters this year were Blue Jasmine, This is the End, Gravity, and Escape From Tomorrow. Only liked one of those. As such, I doubt I’ll be going to the theaters to see a new movie any time soon.
Of the thirteen 2013 movies I saw this year (four in theaters, nine on VOD or Netflix) I only liked half, so my list is split into two parts. Part one is the good, part two is the bad. Any films marked 2012 were originally completed in 2012, but released theatrically in 2013.
By the way, there were a bunch of 2013 movies I tried on Netflix that I couldn’t bring myself to finish, and tapped out at the 15-minute mark—such as Frances Ha and Computer Chess—but I didn’t feel comfortable putting all those on this list because I didn’t give them a full viewing. Full enough to know I didn’t want to watch them, yes, but not full enough to really pick them apart.
Anyway, here goes. Feel free to agree or disagree with me in the comments section and whatnot.
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Merry Christmas!
Merry Christmas (2013)
Written & Directed by Santa Claus
1440 min.
Spoiler-free.
Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas Merry Christmas!
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5 Underrated Holiday Movies
Now is the time of year where we humans rewatch our favorite holiday flicks, the ones we’ve seen a million times and can stand to see a million times more. Planes, Trains & Automobiles and Home Alone 1 & 2 come instantly to mind for me, and I know I’m not an island in that regard. We all tend to revere the same handful or so, largely due to the fact that there really aren’t too many that are transcendent.
In holding dear to our tippy-top favs though, it’s easy to forget about the ones that are just plain very good—or even hear about them. The ones I’ve listed below have yet to get their due, which is a damn shame, because they’re a lot of fun. They may not be perfect, but each has something unique and beautiful to offer. You may not end up watching them every single year, but you may toss them on every couple or so.
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You Are Worth Less, Alec Baldwin: A Review-ish Rant on ‘Seduced and Abandoned’
Seduced and Abandoned (2013)
Written and Directed by James Toback
98 min.
Spoiler-free.
The title of this review contains one of the greatest puns I’ve ever made in my entire life. (To get it, you have to be aware of the song ‘You Are Worthless, Alec Baldwin’, which plays at the very end of the credits of Team America: World Police.) What makes my pun so great and so apt is that this documentary, Seduced and Abandoned, is literally about Alec Baldwin thinking he’s worth a lot more money than he is actually worth, and constantly being reminded by various knowledgable people that he isn’t, and him not understanding. That’s the majority of this movie, which might make it sound like the greatest movie ever made, but unfortunately, it isn’t. It’s downright grating in its unrelenting narcissism. There are parts where you’ll damn near groan your throat off, and eye roll your eyes off. But you should still watch it. It may not be a good film, but it sure as hell is an important one.
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