‘Transformers’ and the Power of Existentialism

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Spoilers of Transformers: The Movie ahead.

The animated show Transformers functions as a protection from the outside world. Life is a scary thing, and being a kid on planet Earth is often incomprehensible, so a television show where even cars are out to protect the Earth, and every episode the day is saved and status quo is restored, is a tremendous comfort. It would be easy to dismiss its concept as stupid, but in a world as dark and violent and painful as ours, taking refuge in a place of color and imagination is perhaps the best possible thing a young person can do.

Let me tell you about a man named Friedrich Nietzsche who also understood this.

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‘Turkles’: A Movie That Looks Amazing

I stumbled on this movie while browsing my local library’s new releases online. The title piqued my interest, so I Googled it and found the trailer above.

I need to see this movie.

Greg DeLiso and and I are always on the hunt for the next great unintentional comedies for us to fall in love with and quote incessantly to each other. We’ve delved far beyond famous ones like The Room, Troll 2, and Birdemic: Shock and Terror—our favorites include lesser-known gems such as My Streets, Little Marines 1 & 2, and Breakout: Batteries Not Included. Few have ever heard of them, but they offer as much, if not more laughs than better-known so-bad-it’s-good fare.

It appears nobody has discovered Turkles yet, as is so often the case with a lot of these movies. It’s an untapped genre that people assume consists of only a handful, but really there are tons that are hilarious.

Here’s a video with more weird clips from Turkles. The person who put it together clearly didn’t do so because they saw humor—I think it’s just a highlight reel for one of the actresses—but it plays like a greatest hits of awkward Turkles moments:
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The ‘God’ in Godzilla: ‘Godzilla’ vs. ‘Pacific Rim’

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Mild spoilers.

So, the new Godzilla movie is great.

What struck me most was the size of the monsters. The film consistently keeps things at a human’s perspective, and maintains a sense of enormity in Godzilla and his new enemies, the MUTOs. This is something rarely achieved in films dealing with multiple kaiju at once. There are no crappy, over-the-monster’s-shoulder shots, or anything of the sort that puts the viewer on their level. Instead, you are consistently reminded that these creatures are of mythic proportions that exceed human comprehension. Gareth Edwards has done an excellent job with the material—I think the film would function perfectly and make a splash even if it were a small-time production with no previous entries. (Of course, this is to be expected from the man who made Monsters, which achieved exactly that.)

Invariably, Godzilla is going to be compared to Pacific Rim, simply for being the latest film to feature large things hitting each other. This is an unfair comparison—Godzilla, in spite of being the one with the long and intricate history behind it, is actually interested in telling its own story and standing out. I spoke of ‘authenticity’ in my piece on Rim, and that is precisely is the main difference between the two—Rim is ‘about’ kaiju eiga, whereas Godzilla actually is one of those movies. Being about movies is not a bad thing in and of itself, but Rim failed to do a competent job of it.

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A Review of the First 15 Minutes of ‘Joe’

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Joe (2013)
Directed by David Gordon Green
Screenplay by Gary Hawkins
Based on the novel by Larry Brown
117 min.

Spoiler-free.

I have a ’15-minute rule’ for whenever I watch a movie at home—if I’m not feeling it in the first 15 minutes, I turn it off and put something else on. This doesn’t always mean that I think the movie is bad—sometimes it just means I’m not in the mood for it, and as such, wouldn’t be able to judge it fairly. Some take issue with this rule, others see where I’m coming from, and that’s fine either way—it’s not something I’m particularly passionate about, it works for me, it’s whatever. Yesterday, for the first time, I felt actual guilt about it though.

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Annie Fox (1951 – 2014)

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I owe my love of film, and so much more, to my mother. She’s the best friend I’ve ever had, and although I’m at peace with her passing, I’m at a loss for words as far as eulogizing her on here. Maybe I’ll say more at a later date, but until then, I’m gonna do what she would want me to do—get back to churning out Smug Film posts and podcast episodes for you lovely people.

Thank you from the bottom of my heart for all of your support. We’re still accepting donations, if you feel chipping in to help pay off her hospital bills. Even a dollar helps:


http://www.youcaring.com/medical-fundraiser/love-and-happiness-for-annie-/179118/