The Big Picture: Christopher Guest Should Write More Scripts

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The Big Picture (1989)
Directed by Christopher Guest
Screenplay by Christopher Guest & Michael Varhol & Michael McKean
100 min.

Rob Reiner once told a story on Kevin Pollak’s Chat Show about going to the premiere of The Princess Bride and seeing Christopher Guest there.  In his mind, he thought, ‘that’s nice of him to come and show his support’.  Then, after a minute, it dawned on him—he’s in the movie!  He goes on to explain that Guest is such a good actor that he completely disappears into his roles—so much so that Rob literally forgot he was even in his movie.
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10 Awful Movies People Think Are Cool

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Troy Duffy, director of a ‘cool’, albeit awful, movie.

‘Coolness’ is hard to define, as it should be.  I suspect it’s difficult because coolness is an X factor.  It’s the swagger generated by the totality of a bunch of compartmentalized variants or something.  It’s also because coolness is not a science, it’s a feeling.  However, like most things, although it can’t be defined, it can be explained.  And, contrary to popular belief, explaining it is fun.  It doesn’t ‘kill it’ as so many pseudo-smart, sanctimonious anti-thought peddlers would have you believe.
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Advice Column #8 (5/6/13)

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Dramas that will scare me. Not horror movies. Tense things about actual people and stuff that is just horrifying, but not in a BOO! way. Hard to explain. – Bill E.

Editor’s Note (12/4/14): We no longer answer movie questions through our advice column. We answer them in the mailbag segment of our podcast. Send them to Cody@SmugFilm.com and we will answer on the show!
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Documentaries: The Most Repulsive Genre

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Michael Moore, being repulsive. That was not intended as a dig at his physicality. He’d be repulsive even if he looked like Kat Dennings. Okay, maybe not then, but you get the point.

What is a documentary?

I know that may seem like kind of a ridiculous, pretentious question to ask, especially right off the bat of an essay or whatever, but I don’t mean it like that. I’m absolutely serious, and it’s an entirely valid question. What the fuck is one? I don’t think we really know. I mean, we know ‘em when we see ‘em I guess. Basically, they’re movies about real life. Nothing staged. Except interviews, of course. Interviews are, by their very nature, extremely staged and controlled and can very easily be manipulated by both the interviewer and the editor, but those get a pass, I guess. (As do dramatic reenactments, which can be very misleading, but are thought of as okay for some reason.) I think we can all agree though that documentaries definitely must not have a script that people are following. That’s for sure. Well—except of course in the case of a sort of monologue through-line or whatever. The documentarian gets a pass on having a script. Even if it’s way subjective. Man, this is getting contradictory. And confusing. And gross.
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Shane: The Most Western Western

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Shane (1953)
Directed by George Stevens
Screenplay by A.B. Guthrie Jr.
Additional Dialogue by Jack Sher
Based on the novel by Jack Schaefer

My great fear—and sadly this is true—is the possibility, however remote, that I’ll get sucked through time into a distant and shattered future where I’ll be forced to rebuild human civilization. Digging through our fallen society’s vast underground archives, I alone would have to bridge eons of cultural distance and reintroduce art to a numbed world.

Where do you begin? How do you introduce someone to rock and roll? What captures the essence of the form? What is the most rock and roll album? Sticky Fingers? Born To Run? Rubber Soul? I could never decide. What is the most modernist novel? What is the most Shakespearian of Shakespeare’s plays? What is the most sitcom sitcom? It’s a series of Sophie’s choices, each more stressful than the last.

But in this complicated world, one thing is clear:

Shane is the most western western.
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