{"id":155,"date":"2013-01-07T12:01:38","date_gmt":"2013-01-07T17:01:38","guid":{"rendered":"http:\/\/smugfilm.com\/?p=155"},"modified":"2013-03-01T23:14:22","modified_gmt":"2013-03-02T04:14:22","slug":"kill-the-lion","status":"publish","type":"post","link":"https:\/\/smugfilm.com\/oldsite\/kill-the-lion\/","title":{"rendered":"Kill The Lion: A Film Manifesto or rather a Taste of a Film Manifesto I\u2019m Working On"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-164\" style=\"border: 4px solid  #000000;\" alt=\"killsmall2\" src=\"http:\/\/smugfilm.com\/wp-content\/uploads\/2012\/12\/killsmall2.png\" width=\"672\" height=\"365\" srcset=\"https:\/\/smugfilm.com\/oldsite\/..\/wp-content\/uploads\/2012\/12\/killsmall2.png 672w, https:\/\/smugfilm.com\/oldsite\/..\/wp-content\/uploads\/2012\/12\/killsmall2-300x162.png 300w\" sizes=\"auto, (max-width: 672px) 100vw, 672px\" \/><br \/>\n<br style=\"clear: both;\" \/><br \/>\n\u201cTrue revolution comes from true revulsion; when things get bad enough, the kitten will kill the lion.\u201d <i>\u2013 Charles Bukowski, from his poem \u2018The People\u2019<\/i><\/p>\n<p>I read that poem back when I was making <i>Shredder<\/i>, my first feature-length film, and that line blew me away. It perfectly expressed my feelings about the then current (and <i>still<\/i> current) state of so-called \u2018independent film\u2019\u2014a phrase that once, long ago, had an<i> objective <\/i>definition: a film made outside of the major studio system, funded by an independent studio or some other wholly independent source.<br \/>\n<!--more--><br \/>\nNowadays, \u2018independent film\u2019 can also mean the following:<\/p>\n<ul>\n<li>A film funded partly by a major studio (so long as it is less than half, meaning even up to 49-fucking-%)<\/li>\n<li>A film funded by an \u2018indie\u2019 subdivision of a major studio (such as <i>Fox Searchlight<\/i>,<i> Paramount Vantage<\/i>, et al.)<\/li>\n<li>A film funded by what <i>appears<\/i> to be an independent studio, but is actually also just a subdivision of a major studio (<i>Focus Features<\/i>\/<i>NBCUniversal<\/i>, <i>IFC Films\/AMC Networks, <\/i>et al.)<\/li>\n<\/ul>\n<p>This subjectification of the word \u2018independent\u2019 is no accident. It is deliberate. It enables major studios to control both the mainstream <i>and<\/i> the alternative, commodifying both, and providing filmgoers the illusion of choice between the two.<\/p>\n<p>The consequence of this insidiousness is the homogenization of independent film into something as predictable and meaningless as mainstream film, albeit in \u2018hipper\u2019 glasses and clothes. It is a truly revolting time, and thankfully, a revolution against it is forming.<\/p>\n<p>Jean Cocteau once said that \u201cfilm will only become an art when its materials are as inexpensive as pencil and paper.\u201d We are remarkably close to that as a reality. In the last few years, advances in technology have democratized filmmaking to a staggering degree.<\/p>\n<p>You\u2019ve probably heard of the \u2018DSLR revolution\u2019, where these days, budding filmmakers are using affordable, high resolution still cameras with outstanding video capabilities to make films. I myself have made two feature-length films that way\u2014the first, <i>Shredder,<\/i> for a meager $3,000, and the second, <i>Rehearsals,<\/i> for less than $100, since I reused all the equipment I had bought to make the first one.<\/p>\n<p>This is unprecedented. This is seismic. A new era of film has begun\u2014one of true, unhindered individualism within the art form. And soon, the mere existence of so many <i>truly<\/i> independent voices and visions will expose the nefarious, phony, manufactured sludge passing for \u2018indie\u2019 these days for what it is.<\/p>\n<p>However, as of yet, this individualist film revolution is not taken seriously, due to the fact that it is still very much in its kitten-like infancy. But I do not believe it will remain that way for very long. Before we know it, its tiny teeth will be ripping away at the jugular of a beast ten times its size.<\/p>\n<p>I\u2019m doing my part to advance the cause by churning out product. Through my one-man \u2018production company\u2019 <i>Kill The Lion Films<\/i>, I\u2019ve made two feature-length films in the last two years, and am currently in pre-production on my third. There are plenty of other filmmakers just like me, keeping their nose the the grindstone, biding their time, waiting for the world to take notice. What we lack in exposure, we make up for in patience and diligence.<\/p>\n<p>Now\u2019s the time not only to make a film, but to support one. Seek out new and interesting auteurs. They\u2019re out there. And they need your eyes and ears, and of course, your word of mouth.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-164\" style=\"border: 4px solid  #000000;\" alt=\"killsmall2\" src=\"http:\/\/smugfilm.com\/wp-content\/uploads\/2012\/12\/killsmall2.png\" width=\"672\" height=\"365\" srcset=\"https:\/\/smugfilm.com\/oldsite\/..\/wp-content\/uploads\/2012\/12\/killsmall2.png 672w, https:\/\/smugfilm.com\/oldsite\/..\/wp-content\/uploads\/2012\/12\/killsmall2-300x162.png 300w\" sizes=\"auto, (max-width: 672px) 100vw, 672px\" \/><\/p>\n<p>\u201cTrue revolution comes from true revulsion; when things get bad enough, the kitten will kill the lion.\u201d <i>\u2013 Charles Bukowski, from his poem \u2018The People\u2019<\/i><\/p>\n<p>I read that poem back when I was making <i>Shredder<\/i>, my first feature-length film, and that line blew me away. It perfectly expressed my feelings about the then current (and <i>still<\/i> current) state of so-called \u2018independent film\u2019\u2014a phrase that once, long ago, had an<i> objective <\/i>definition: a film made outside of the major studio system, funded by an independent studio or some other wholly independent source.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,18],"tags":[34,343,344,339,342,345,32,346,52,341,30,29,31,340,53,33,104,185],"class_list":["post-155","post","type-post","status-publish","format-standard","hentry","category-allposts","category-codysessays","tag-bukowski","tag-bukowski-kill-the-lion","tag-bukowski-the-people","tag-charles-bukowski","tag-charles-bukowski-kill-the-lion","tag-charles-bukowski-the-people","tag-cody-clarke","tag-cody-clarke-manifesto","tag-essay","tag-film-manifesto","tag-kill-the-lion","tag-kill-the-lion-films","tag-manifesto","tag-movie-manifesto","tag-rehearsals","tag-shredder","tag-smug-film-2","tag-smugfilm"],"_links":{"self":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts\/155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/comments?post=155"}],"version-history":[{"count":27,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts\/155\/revisions"}],"predecessor-version":[{"id":1034,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts\/155\/revisions\/1034"}],"wp:attachment":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/media?parent=155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/categories?post=155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/tags?post=155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}