![\"godfather\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/godfather.jpg\")
<\/p>\n<\/p>\n
Nope, not gonna touch this one. Too easy.<\/em><\/p>\n It’s easy to pick on classics.\u00a0 In fact, by virtue of being considered \u2018classic\u2019, they\u2019re almost assuredly not as good as they\u2019re said to be.\u00a0 Anything so beloved is automatically suspect.\u00a0 This is not contrarianism; it’s healthy skepticism.\u00a0 In an age where most people still aren’t atheists and science is constantly hindered by new age nonsense, skepticism is beyond necessary.<\/p>\n I figured I’d apply that maxim to culture and pick the ten most overrated classic movies ever made.\u00a0 But, like I said, it’s easy to pick on the big ones.\u00a0 Casablanca<\/a>, The Godfather<\/a>, and Gone With the Wind<\/a> all have their place in history, but that doesn’t make them better than Back to the Future<\/a>.\u00a0 And they aren’t.\u00a0 Not artistically, and certainly not in our collective hearts.<\/p>\n However, here, rather than just list the most acclaimed classic movies and call it a day, I really wanted to hone in on some particular titles that I find obnoxiously overrated:<\/p>\n <\/p>\n 10. Slap Shot<\/a> (1977) | Dir. George Roy Hill | 123 min.<\/b><\/p>\n Full disclosure, I’m the biggest hockey fan on the planet.\u00a0 Although I’m a moviemaker, I secretly wish I were a perennial all-star in the NHL.\u00a0 What can I say, I’m from Detroit and a die-hard Red Wings fan.\u00a0 But, if you aren’t a hockey fan, you might not appreciate the true classicdom of Slap Shot<\/a>.<\/p>\n Paul Newman cited Slap Shot as his favorite of his filmography. It\u2019s a bit of a secular classic, but its cult following is of course made up by rabid hockey fans of the north who cherish it as one of their few cultural touchstones.<\/p>\n The problem is, it\u2019s boring as fuck.\u00a0 Slap Shot isn’t good.\u00a0 It has a few transcendent scenes (if you’re a hockey fan) but that’s about it.\u00a0 If you know the movie you know the scenes: basically any time The Hanson Brothers are on screen.\u00a0 Apart from that, it’s a meandering mess about relationships and sports politics, handled ineffectively and without passion by a director that lets his material unravel unwieldily.<\/p>\n <\/p>\n 9, The Goonies<\/a> (1985) | Dir. Richard Donner | 114 min.<\/b><\/p>\n The Goonies<\/a> is absolutely not a bad movie, but it absolutely is<\/i> overrated.\u00a0 People treat it like nostalgia gold and trick themselves into thinking it’s amazing.\u00a0 Again, it\u2019s good, but not great.\u00a0 It’s overlong and it\u2019s pretty standard fare for the time. Solid filmmaking, but not transcendent.<\/p>\n It shares ilk with better movies like Poltergeist<\/a>, The \u2018Burbs<\/a>, Back to the Future<\/a> and Indiana Jones<\/a>, yet it’s touted as being one of their equals, when in actuality it is far less interesting and far more monotonous.<\/p>\n <\/p>\n 8. Animal House<\/a> (1978) | Dir. John Landis | 109 min.<\/b><\/p>\n Being first is not being best.\u00a0 Animal House may have ushered in a new kind of comedy, but it’s surpassed by almost everything that followed, from the uneven Caddyshack<\/a> right on through to the masterpiece Freddy Got Fingered<\/a>.\u00a0 Even smaller movies like PCU<\/a> are light years better.<\/p>\n Animal House<\/a> suffers from its era more than anything else.\u00a0 It was made at a time when comedies didn’t have to get to the point and were instead allowed to meander aimlessly, with large gaps between jokes and major set pieces.<\/p>\n In small doses, and upon reflection, it’s an important part of cinema history, but as a piece of art it drags.\u00a0 It is only logical that what came first was not as good at what would follow.\u00a0 Art tends to build on itself and learn from its mistakes and ebb and flow and evolve.\u00a0 It took about twenty years, but by the mid 90s, comedies started to find their form.\u00a0 Look no further than the Farrelly brothers, whose path was clearly paved by Landis but who ended up making undeniably transcendent movies for about a decade.\u00a0 Namely, Dumb and Dumber<\/a> and There’s Something About Mary<\/a> (one of the best, richest, and touching movies ever made).<\/p>\n <\/p>\n 7.\u00a0 Network<\/a> (1976) | Dir. Sidney Lumet | 121 min.<\/b><\/p>\n Sidney Lumet is a great director.\u00a0 12 Angry Men<\/a> is one of the best and most interesting movies ever made.\u00a0 It’s an expertly executed drama that unravels with vibrant and taught precision in an era when movies were hollow and lifeless.\u00a0 Lumet is a trailblazer of tone and kept making great movies almost fifty years later.\u00a0 Find Me Guilty<\/a> is a devastatingly underrated gem starring Vin Diesel, who actually gives a great performance as Jackie DiNorscio in the true story of his trial.<\/p>\n Network<\/a>, stylistically, is brilliant.\u00a0 It’s got that great 70s look and tone that film geeks (myself included) jack off to.\u00a0 It’s also the movie that gave us the famous line “I’m mad as hell and I’m not going to take this anymore!”<\/p>\n However, again, like many \u2018classics\u2019, it’s boring.\u00a0 And in this case, its precision is also its achilles heel.\u00a0 As it puts the microscope on the news media, it in turn fails to deliver a captivating narrative and instead juggles too many balls that it doesn’t seem to know what to do with.\u00a0 Faye Dunaway and Peter Finch\u2019s characters, respectively, have weak arcs that aren’t very fun to follow, and take too long to drift to their unsatisfying conclusions.<\/p>\n After 1939, 1976 is thought of as the golden year of cinema.\u00a0 And why not, it brought us Rocky<\/a>, one of the best movies ever made.\u00a0 But Network, and its equally bland (but awesome 70s style, cool, fun) counterpart All The President’s Men<\/a>, shine as stylistic triumphs that ultimately aged poorly.<\/p>\n For better movies of a similar ilk, look to Billy Ray’s Shattered Glass<\/a> and Breach<\/a>, and James L. Brooks’ Broadcast News<\/a>.<\/p>\n <\/p>\n 6. Nashville<\/a>\u00a0 (1975) | Dir. Robert Altman | 159 min.<\/b><\/p>\n This would be number one on my list if anybody had ever finished it.\u00a0 I seriously refuse to believe anyone has ever finished this fucking thing.\u00a0 I can only assume it was inspired by those \u2018atmospheric\u2019 French movies that were popular at the time where nothing happened for like 6 hours.\u00a0 I’m looking at you, Jacques Rivette.<\/p>\n Robert Altman is definitely one of the top two most overrated directors of all time.\u00a0 His boring movie M*A*S*H<\/a> was surpassed by a cheesy sitcom, and the dude made fucking Gosford Park<\/a> and A Prairie Home Companion<\/a>. And Short Cuts<\/a>, which is three hours of nothing.<\/p>\n <\/p>\n 5. Paris, Texas<\/a> (1984) | Dir. Wim Wenders | 147 min.<\/b><\/p>\n Two fucking hours to get to that story.\u00a0 Jesus Christ.<\/p>\n <\/p>\n 4. Dawn of the Dead<\/a> (1978) | Dir. George A. Romero | 127 min.<\/b><\/p>\n Night of the Living Dead<\/a> is good, and important.\u00a0 And that’s the way it should be.\u00a0 People often confuse, or wrongfully combine, goodness and importance.\u00a0 Gone with the Wind is important, that doesn’t make it good, just like the aforementioned Animal House.\u00a0 You can appreciate the importance of something and not think it’s good.\u00a0 Importance only means it did something to pave the way, and that’s cool, but it doesn’t make it good.<\/p>\n Dawn of the Dead’s long runtime is needless and absurd.\u00a0 I suspect most of the people who have propelled it into classicdom are stoned though, so I guess it makes sense.<\/p>\n The remake<\/a> is a lot better. Too bad that guy went on to make horrible shit.<\/p>\n <\/p>\n 3. The Conversation<\/a> (1974) | Dir. Francis Ford Coppola | 113 min.<\/b><\/p>\n I think people literally just put all of Coppola’s movies that aren\u2019t The Godfather 1 and 2 and Apocalypse Now<\/a> on a dartboard, closed their eyes, and threw a dart and decided to champion whatever it hit.\u00a0 I’m sure they were pleased it didn’t land on Dementia 13<\/a> or Jack<\/a>.\u00a0 If you really<\/i> have to care about another Coppola movie for some reason, just go with Rumble Fish<\/a>. At least it looks cool.<\/p>\n <\/p>\n 2. Harold and Maude<\/a> (1971) | Dir. Hal Ashby | 91 min.<\/b><\/p>\n Despite its soundtrack, Harold and Maude<\/a> is a big pile of nothing.\u00a0 It’s one of the most universally loved hipster movies and has informed their culture.\u00a0 It also doesn’t hurt that Hal Ashby has achieved a kind of hipster icon status for being a kooky outsider.\u00a0 He’s like the Kubrick of comedies.<\/p>\n What’s interesting though is when a guy like Judd Apatow praises Ashby (gushes over him really) and then cites him as an influence.\u00a0 I believe him when he says it, but then I\u2019m interested why his output more closely resembles a mix between John Landis and Kevin Smith (two vastly superior filmmakers).\u00a0 I’m not trying to put Apatow in a box, or presume that he should be making a certain kind of movie, but I think it’s a testament to Ashby’s, and particularly Harold and Maude’s, overratedness.\u00a0 Harold and Maude isn’t a movie that people enjoy, it’s a movie people think they should like, or like themselves solely because it\u2019s ‘so fucked up’, or ‘awkward’.<\/p>\n Well, it’s not, it’s just a simple love story populated by boring, vapid characters who are needlessly quirky and sardonic.<\/p>\n <\/p>\n 1. The Seventh Seal<\/a> (1957) | Dir. Ingmar Bergman | 96 min.<\/b><\/p>\n Okay, come on.\u00a0 Look, as I mentioned in the preface, I’m not going to pick on \u2018classics\u2019 like The Godfather because it’s like shooting fish in a proverbial barrel.\u00a0 But the dumbassness of this movie cannot be ignored.\u00a0 The Seventh Seal<\/a> is about a guy who plays chess with death.\u00a0 I mean, the only conclusion for that plot is that it’s a movie written by an eighth grader.<\/p>\n I think when it comes to movies like this, people don’t just stop and think about what it’s actually about.\u00a0 Being intelligent is very easy, but having common sense is not.\u00a0 If someone came up to you and said ‘I have a great idea for a movie, it’s about a guy who plays chess with death!’, you’d think they were a snot-nosed film student.\u00a0 And whether they actually were in film school, or just had a cold, you’d be right.<\/p>\n Beyond being the epitome of cheese, it’s also the epitome of everything you’d make fun of when parodying European, up-its-own-ass intellectualism.\u00a0 It basically plays as a parody of itself.<\/p>\n I know I’ve been attacking the premise, which is obviously the root of its problems, but think about the execution for a second.\u00a0 Plenty of gimmicky ideas end up being decent by virtue of their execution, such as The Matrix<\/a>.\u00a0 But loading your movie with blatantly obvious symbolism isn’t deep or introspective, it’s shallow and easy.<\/p>\n The shot of the reaper on the beach is kinda cool, I guess.\u00a0 It’s just that shot\u2019s context in a melodramatic, silly, low brow story that’s dumb.\u00a0 I know everybody hates me for liking good movies and hating crappy \u2018important films\u2019, but in this case, I beg you, please just consider what this thing is actually about and whether or not you are lulled to sleep watching it.\u00a0 Don’t \u2018put yourself back in the time it was made\u2019 or do anything else to let it off the hook, just watch it for what it actually is.<\/p>\n","protected":false},"excerpt":{"rendered":" Nope, not gonna touch this one. Too easy.<\/em><\/p>\n It’s easy to pick on classics.\u00a0 In fact, by virtue of being considered \u2018classic\u2019, they\u2019re almost assuredly not as good as they\u2019re said to be.\u00a0 Anything so beloved is automatically suspect.\u00a0 This is not contrarianism; it’s healthy skepticism.\u00a0 In an age where most people still aren’t atheists and science is constantly hindered by new age nonsense, skepticism is beyond necessary.<\/p>\n I figured I’d apply that maxim to culture and pick the ten most overrated classic movies ever made.\u00a0 But, like I said, it’s easy to pick on the big ones.\u00a0 Casablanca<\/a>, The Godfather<\/a>, and Gone With the Wind<\/a> all have their place in history, but that doesn’t make them better than Back to the Future<\/a>.\u00a0 And they aren’t.\u00a0 Not artistically, and certainly not in our collective hearts.<\/p>\n However, here, rather than just list the most acclaimed classic movies and call it a day, I really wanted to hone in on some particular titles that I find obnoxiously overrated:<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,1270],"tags":[693,3018,3013,875,1060,582,3015,3016,1921,3005,750,2978,3023,3025,3027,3003,1339,3011,3026,890,3024,1097,3001,2835,3020,37,3031,3030,576,3034,3028,3012,900,1201,3032,1474,3017,800,3009,1137,2981,2980,2979,3021,3006,578,3002,3004,797,699,3029,3014,3019,3010,3000,104,185,836,409,2148,3008,833,1834,1833,622,387,3033,3007,1729,3022],"class_list":["post-3530","post","type-post","status-publish","format-standard","hentry","category-allposts","category-gregslists","tag-12-angry-men","tag-a-prairie-home-companion","tag-all-the-presidents-men","tag-animal-house","tag-apocalypse-now","tag-back-to-the-future","tag-billy-ray","tag-breach","tag-broadcast-news","tag-caddyshack","tag-casablanca","tag-classic-movies","tag-dawn-of-the-dead","tag-dawn-of-the-dead-remake","tag-dementia-13","tag-detroit-red-wings","tag-dumb-and-dumber","tag-find-me-guilty","tag-francis-ford-coppola","tag-freddy-got-fingered","tag-george-a-romero","tag-george-romero","tag-george-roy-hill","tag-gone-with-the-wind","tag-gosford-park","tag-greg-deliso","tag-hal-ashby","tag-harold-and-maude","tag-indiana-jones","tag-ingmar-bergman","tag-jack","tag-jackie-dinorscio","tag-james-l-brooks","tag-john-landis","tag-judd-apatow","tag-kevin-smith","tag-mash","tag-nashville","tag-network","tag-night-of-the-living-dead","tag-overrated-classic-movies","tag-overrated-classics","tag-overrated-movies","tag-paris-texas","tag-pcu","tag-poltergeist","tag-red-wings","tag-richard-donner","tag-robert-altman","tag-rocky","tag-rumble-fish","tag-shattered-glass","tag-short-cuts","tag-sidney-lumet","tag-slap-shot","tag-smug-film-2","tag-smugfilm","tag-stanley-kubrick","tag-the-burbs","tag-the-conversation","tag-the-farrelly-brothers","tag-the-godfather","tag-the-godfather-part-2","tag-the-godfather-part-ii","tag-the-goonies","tag-the-matrix","tag-the-seventh-seal","tag-theres-something-about-mary","tag-vin-diesel","tag-wim-wenders"],"_links":{"self":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts\/3530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/comments?post=3530"}],"version-history":[{"count":12,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts\/3530\/revisions"}],"predecessor-version":[{"id":3553,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts\/3530\/revisions\/3553"}],"wp:attachment":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/media?parent=3530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/categories?post=3530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/tags?post=3530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"slap\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/slap.jpg\")
<\/p>\n![\"goonies\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/goonies.jpg\")
<\/p>\n![\"animal\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/animal.jpg\")
<\/p>\n![\"network\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/network.jpg\")
<\/p>\n![\"nashville\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/nashville.jpg\")
<\/p>\n![\"paris\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/paris.jpg\")
<\/p>\n![\"dawn\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/dawn.jpg\")
<\/p>\n![\"conversation\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/conversation.jpg\")
<\/p>\n![\"harold\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/harold.jpg\")
<\/p>\n![\"seventh\"](\"http:\/\/smugfilm.com\/wp-content\/uploads\/2013\/10\/seventh.jpg\")
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