{"id":3669,"date":"2013-11-08T00:00:22","date_gmt":"2013-11-08T05:00:22","guid":{"rendered":"http:\/\/smugfilm.com\/?p=3669"},"modified":"2013-11-08T01:53:26","modified_gmt":"2013-11-08T06:53:26","slug":"enders-game","status":"publish","type":"post","link":"https:\/\/smugfilm.com\/oldsite\/enders-game\/","title":{"rendered":"Ender\u2019s Game: Hollywood, Please Let Me Re-Edit It"},"content":{"rendered":"

\"ender\"
\n

\nEnder\u2019s Game<\/a> (2013)<\/b>
\nWritten and Directed by Gavin Hood
\n114 min.<\/p>\n

Very minor spoilers ahead.<\/i><\/p>\n

I read Ender\u2019s Game a week before seeing the movie, and now I almost wish I hadn\u2019t, because the book is fucking great. I don\u2019t know whether I would have liked the movie more, or less, if I hadn\u2019t read the book first, but I do know that I won\u2019t be able to talk about the movie without talking about the book.<\/p>\n

Don\u2019t worry, though\u2014I\u2019m not going to make a checklist of everything the book did right that the movie did wrong. In fact, I\u2019ll say up front that I don\u2019t think that movie adaptations of books have any business being \u2018faithful\u2019. Or rather, I think they should be faithful in specific ways, and not in others. For instance, it\u2019s important that an adaptation captures the themes, character arcs, and, whenever possible, the tone of its source. It\u2019s not important that it hits every plot beat, or revisits every location, or namedrops every side character. That sort of keeping faith does little beyond providing little jolts of recognition to fans of the source material. A movie can get bogged down in superfluous details, or tripped up in its pacing, if it just methodically ticks off a checklist of things that happened to have happened in the book. And this, unfortunately, is what happened with Ender\u2019s Game.
\n
\nEnder Wiggin is a young kid who\u2019s just been accepted to an elite military training school that orbits Earth. An alien race called the \u201cbuggers\u201d (or Formics or something, a name they took from the sequel, Speaker for the Dead<\/a>) invaded Earth some number of decades ago, and the American Hegemony-controlled International Fleet has been scrambling to upgrade its technology and strategies in order to have a better chance against a presumed future invasion.<\/p>\n

Part of their plan is to genetically engineer kid geniuses to become the next great commanders. Ender and his two siblings are part of this program, and\u00a0 he is the smartest of the three, and the last of them to have a shot at Battle School.<\/p>\n

The ensuing story (in the book at least) is a rather complex tale involving issues that span from the deepest parts of Ender\u2019s tortured psyche to the Formic war at large. I won\u2019t get into it, but there\u2019s a lot going on, including really neat intersections between psychology and morality and politics. It was a fool\u2019s errand for them to attempt to cram it all into a 2 hour movie.<\/p>\n

There are many scenes and characters thrown in that exist only in order to keep faith with the superficial plot of the book. But without the extra layers of psychological and moral complexity to support, these serve no purpose. An entire subplot involving Ender\u2019s co-genius siblings Peter and Valentine was entirely axed, which was a wise decision. But for some reason, they left in a scene where Ender is visited by his sister after he quits the program, because the administrator thinks his sister should be able to convince him to rejoin. But without the depth of their original relationship, and Valentine\u2019s own arc, the whole scene is useless, and feels really out of place.<\/p>\n

That kind of thing happens a lot in this movie. Instead of stripping it down to its essential themes, they cover lots of ground, presumably because they want to set up these characters for the inevitable sequels. The result is a movie that moves way too fast through its most important moments.<\/p>\n

I often complain about the tendency of some movies to rush through moments that shouldn\u2019t be rushed through. For a director, this means taking your feet off the accelerator for a bit and letting your actors shine. For an editor, it means not trimming the edges off every shot of an actor delivering dialogue, just so you can save up enough extra runtime to not have to cut down on the climactic battle.<\/p>\n

Imagine what the epic conversations of The Breakfast Club<\/a> would feel like if the shots cut as soon as anyone finished a line\u2014add some really generically sentimental music over their dialogue in order to build a tone and mood that the conversation itself generated before, and what you end up with isn\u2019t a scene, it\u2019s a trailer<\/i> for a scene. And because a bunch of trailers in sequence is hard to make sense of as a story, add voiceover explaining the plot and character beats that could have come across naturally if you hadn\u2019t fucked up the pace in the first place. This is exactly what happens to most of Ender\u2019s Game.<\/p>\n

There is potentially a great movie somewhere inside Ender\u2019s Game that is just clawing to get out. As it stands though, it\u2019s difficult to even call it a movie. It\u2019s really just a two-hour long string of trailers. More than a couple times during the movie, I thought to myself, \u201cOkay, when\u2019s the movie going to start\u2026\u201d That is not a feeling you should get an hour into a movie, or really ever.<\/p>\n

Slow down. Let the demands of the characters\u2019 story arcs determine your pace. Fuck the book. I kept thinking back to the Harry Potter movies, which arguably get better as movies as they diverge further and further from the books. The Prisoner of Azkaban<\/a> and The Goblet of Fire<\/a> are better than the first two because they are less concerned with throwing all the shit in that the fans expect. Fuck the book fans. Make a movie.<\/p>\n

I think Ender\u2019s Game can be saved. Unlike a lot of movies that rush too much to cover all the obligatory beats, the terrible pacing in Ender\u2019s Game doesn\u2019t come from the performances or the dialogue itself. All of that is good enough on its own to work. While watching it, I was forever on the precipice of actually caring about Ender, his friends, the administrators, and the war, because what is there is really not bad. It\u2019s often pretty good, and occasionally rather moving, exciting, and even brutal. It\u2019s just that all these moments are glossed over by the shitty editing.<\/p>\n

Let me do a re-edit. I\u2019d cut out the voiceover, about 80% of the score, certain superfluous scenes and characters, and, most importantly, extend many scenes in the second and third acts. That\u2019s it. The footage is there, it\u2019s just not treated properly. Once more, I\u2019ll bring up the Harry Potter movies: what they truly nailed, more than anything else, was the vibe of school. They work as high school movies, which is how Ender\u2019s Game should work as well. A re-edit could help accomplish that, among many other things.<\/p>\n

In my Pacific Rim rant<\/a>, I bemoaned the failed realizations of a bunch of promising 2013 sci-fi blockbusters. Next to The World\u2019s End<\/a>, Ender\u2019s Game is probably the most worthwhile of the whole lot. It\u2019s not quite a failure. And just by virtue of the basic story being so interesting, it\u2019s an interesting<\/i> not-quite-a-failure.<\/p>\n

3 out of 5 manipulated children.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

\"ender\"
\n

\nEnder\u2019s Game<\/a> (2013)<\/b>
\nWritten and Directed by Gavin Hood
\n114 min.<\/p>\n

Very minor spoilers ahead.<\/i><\/p>\n

I read Ender\u2019s Game a week before seeing the movie, and now I almost wish I hadn\u2019t, because the book is fucking great. I don\u2019t know whether I would have liked the movie more, or less, if I hadn\u2019t read the book first, but I do know that I won\u2019t be able to talk about the movie without talking about the book.<\/p>\n

Don\u2019t worry, though\u2014I\u2019m not going to make a checklist of everything the book did right that the movie did wrong. In fact, I\u2019ll say up front that I don\u2019t think that movie adaptations of books have any business being \u2018faithful\u2019. Or rather, I think they should be faithful in specific ways, and not in others. For instance, it\u2019s important that an adaptation captures the themes, character arcs, and, whenever possible, the tone of its source. It\u2019s not important that it hits every plot beat, or revisits every location, or namedrops every side character. That sort of keeping faith does little beyond providing little jolts of recognition to fans of the source material. A movie can get bogged down in superfluous details, or tripped up in its pacing, if it just methodically ticks off a checklist of things that happened to have happened in the book. And this, unfortunately, is what happened with Ender\u2019s Game.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28,25],"tags":[46,3089,2378,3087,3086,3085,3088,3092,3094,3093,2372,3091,104,185,3090,2830,2084],"class_list":["post-3669","post","type-post","status-publish","format-standard","hentry","category-alexsreviews","category-allposts","tag-alex-hiatt","tag-ender-wiggin","tag-enders-game","tag-enders-game-movie","tag-enders-game-movie-review","tag-enders-game-review","tag-gavin-hood","tag-goblet-of-fire","tag-harry-potter","tag-harry-potter-movies","tag-pacific-rim","tag-prisoner-of-azkaban","tag-smug-film-2","tag-smugfilm","tag-speaker-of-the-dead","tag-the-breakfast-club","tag-the-worlds-end"],"_links":{"self":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts\/3669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/comments?post=3669"}],"version-history":[{"count":6,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts\/3669\/revisions"}],"predecessor-version":[{"id":3676,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/posts\/3669\/revisions\/3676"}],"wp:attachment":[{"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/media?parent=3669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/categories?post=3669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smugfilm.com\/oldsite\/wp-json\/wp\/v2\/tags?post=3669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}