Tag Archives: david wain
An Interview with Madeline Blue of ‘Wet Hot American Summer’ and ‘Justified’
I met Madeline Blue in quite the serendipitous way. My friend / next door neighbor Jeanine asked me how my mom was doing, because she’s been quite ill this winter. I told her she was a bit better, but still very much on the mend, and that I’d been spending a lot of time with her watching TV—in particular, we’d been marathoning the brilliant FX series Justified. “My friend was on Justified!” My jaw dropped. “Yeah, and she’s been staying with me the past couple days!” My jaw dislodged entirely and fell to the floor and spent way longer than the five-second rule there.
Turns out her friend Madeline had played a prostitute by the name of Minerva in the third season. A quick IMDb-ing refreshed me as to which prostitute this was, and also enlightened me to the fact that this very same actress had also played the highly-memorable role of ‘Cure Girl’ in one of the greatest comedies of all time, Wet Hot American Summer—a favorite not only of mine, but of my mom’s as well.
I knew that a surprise visit from her would be the perfect thing to help perk my mom up. Jeanine agreed, and put me and Madeline together, who immediately got the synchronicity of it and was more than happy to do it. And it couldn’t have gone better.
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10 Woefully Underrated Comedies
It’s not hard for comedies to slip under the radar. Like any ‘genre film’, so many are pumped out each year that it’s almost impossible to keep track of which ones are good. Unless something gets an alarmingly high rating on Rotten Tomatoes, or was made by people you trust no matter what the Tomatometer says, you probably aren’t going to see it. And then you’re going to forget it even existed. Here’s ten great ones that probably passed you by.
Dan in Real Life (2007) | Dir. Peter Hedges | 98 min.
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I Don’t Like Jokes, I Don’t Think They’re Funny
Jokes, almost inherently, aren’t funny. We all know scores of ‘classic’ jokes from the aristocrats to dead babies to chickens crossing roads. None of them are funny. But, in the right context, we’ll laugh at them, because the joke isn’t what’s funny—the idea of the joke being told is. It’s that extra layer, that prefix, that meta, that deeper meaning, which gives a joke life, and makes it funny, and makes you truly laugh. (Laughing simply because you’re ‘supposed to’ is why sitcoms are popular, despite their unfunniness.)
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