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On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss movies we like by directors we don’t typically like, as well as movies we dislike by directors we typically like. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.
If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.
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Movie Stuff Referenced in this Episode:
Continue reading Smug Film Podcast Episode #6 – Good Movies, Bad Directors / Bad Movies, Good Directors
Since we started this website, I’ve always felt like I was on a mission. A mission, despite the fact that, at the end of the day, nothing anybody says about art matters at all. Art is an individual experience—even in a group, it’s an individual experience. I can’t convince you of anything, and you can’t convince me. And it should be that way. But right now, fuck all that.
Ghostbusters is high art. Ghostbusters should be thought of the way the Mona Lisa is—as this sacred, unachievable thing forged from genius—because that’s exactly what it is, and it’s been my mission to explain that concept. There are only about a dozen great movies, and these movies are untouchable. They are perfect in every way, and they represent the ultimate synthesis of story, performance, writing, color, music, and all the myriad elements that come together to make whatever is on screen at any given moment the perfect thing.
People don’t give a fuck about art. They like things all willy-nilly and just regurgitate whatever fucking nonsense someone says about why Raging Bull is brilliant. Fuck all that noise. Movies like Ghostbusters are advanced. They do all of the artistic shit Raging Bull does, but for the purpose of entertainment, of making you soak into the movie. That is beautiful, that is advanced, that is transcendent, and that could only happen a dozen times in about a century because it’s insanely hard to do.
And Ghostbusters isn’t even his best movie.
Continue reading Rest in Peace, Harold Ramis
In my earliest Smug Film piece, I reviewed a movie called ATM and introduced this idea of ‘Roomies’—movies where the characters are trapped in some kind of room and the whole point is figuring out why they’re there and how to get out. Exam, The Breakfast Club, and Cube are some popular examples. Now I’m going to introduce you to Twisties, which have become quite prevalent lately.
I saw the Tom Cruise movie Oblivion in the theater by myself. I like going to the movies by myself. It’s cool. There’s something about being by yourself in the grandeur of the theater that always reminds me how much I want to make movies.
Continue reading Twisties: Why ‘Oblivion’ And Many Other Movies These Days Suck
The cinematic powers-that-be tend to decree that Citizen Kane is the best movie ever made, or sometimes Raging Bull. I don’t have a problem with that appraisal. It’s fun. Lists are fun—they expose people to cool movies they may not have heard of, and cause debates over who’s the most badass horror villain from the 80s, or what the best movies for libertarians are.
However, what is annoying is that whenever these movie freemasons decide that Vertigo is the third-best movie of all time or something, it causes all the opinion-scavenging cinephiles-in-training to rant their little hearts out about how The Rules of the Game or whatever really deserves to be ranked third-best. These lists also do a good job of tricking people into thinking The Godfather is artistically superior to Back to the Future, which is ridiculous.
Continue reading The 10 Best Movies Ever Made
I’ve been interested in movies for as long as I can remember. The story I tell is that Jurassic Park started it all. It certainly didn’t hurt, but movies had definitely been on my mind for way longer than that. And my parents and grandparents were both movie buffs, so when the AFI released their ill-conceived 100 Best Movies of the First 100 Years of Movies, it was the talk of our family for an entire Thanksgiving dinner. I was ten or twelve at the time. By the time I was fifteen, I had seen 92 of the movies listed.
Continue reading A Rebuttal to a Rebuttal: Favorite Equals Best, or, Why Back To The Future is Better Than The Godfather