Until recently, I’d never seen a Mike Leigh film. I’ve been familiar with his name for ages, though. Back in my teens, I worked at a hip indie video store that had a ‘Directors’ section—Allen, Godard, Rohmer, Scorsese, Truffaut, Verhoeven, the list goes on. Anyone with a substantial filmography worth exploring was represented, Leigh included.
Continue reading ‘Life is Sweet’ & ‘Naked’: My Mike Leigh Entry Point