Troy Duffy, director of a ‘cool’, albeit awful, movie.
‘Coolness’ is hard to define, as it should be. I suspect it’s difficult because coolness is an X factor. It’s the swagger generated by the totality of a bunch of compartmentalized variants or something. It’s also because coolness is not a science, it’s a feeling. However, like most things, although it can’t be defined, it can be explained. And, contrary to popular belief, explaining it is fun. It doesn’t ‘kill it’ as so many pseudo-smart, sanctimonious anti-thought peddlers would have you believe.
Continue reading 10 Awful Movies People Think Are Cool
Promised Land (2012)
Directed by Gus Van Sant
Screenplay by John Krasinski & Matt Damon
Story by Dave Eggers
Promised Land is a good movie. And Gus Van Sant is a good director. And Matt Damon and John Krasinski are good actors and writers.
This is a movie that nobody saw last year. It’s a small movie, the kind that still gets made by mega celebrities like Matt Damon but that nobody sees because the market is pretty well taken over by other kinds of movies like Taken 2 and The Vow. But I’m not here to wax pretentiously about lowest common denominato, fluff that ‘Hollywood’ is so ‘evil’ for churning out. (The hipsters have that market well cornered.) I’m here, rather, to talk about Promised Land. But first, about Gus Van Sant.
Continue reading Promised Land: Good Job, Gus
Just a Bunch of Footage
Security camera footage is not a movie, but screened at a film festival with a name like ‘Big Brother’s Kung Fu Grip’ (or some artsy crap) it is. Andy Warhol filming the Empire State Building for nine hours is a movie—the video the real estate agent showed you of the interior of the house on Maple is not. It’s all about context and intention.
Continue reading The Idea of What a Movie Is: A Very Greg Journey Through Film
Cody’s Oscar Thoughts:
I hate the god damn Oscars. Basically, for all the same reasons everyone hates the Oscars, so I don’t need to get into all that here. However, I still watch every year, because the tree of disgust for Hollywood must be refreshed from time to time by the blood of patriots. (I think Thomas Jefferson said that.)
Of what’s nominated, basically, Joaquin should win Best Actor (his acting in The Master is as good as acting can possibly get) Michael Haneke should win Best Director (I haven’t seen Amour yet, but the man can do no wrong, and fuck the Academy for snubbing The White Ribbon for Best Foreign Film a few years back) Amour should win Best Picture (because fuck you again) and Emmanuelle Riva should win best actress. (I’m sure she’s great in Amour. She’s a great actress. Léon Morin, Priest is like the greatest thing ever.)
Continue reading A Smug Film Bonus Post About the 2013 Oscars