Written and Directed by Mark Moskowitz
Mark Moskowitz could have easily just hired a private investigator and called it day. Thank god he decided to make a movie rather than just find someone.
Stone Reader is a documentary about a guy who reads a book, likes it a lot, and wants to read the author’s other work. He can’t find any, and decides to track down the author and find out why he never wrote anything else. This may seem like a pretty thin, simple premise, but the movie transcends that. It is literary, with a clear narrative and linearity, and it tackles an overall theme (that unfolds beautifully). Like a great novel, it also meanders—’hangs out’ and ebbs and flows. It’s a movie made by a writer-at-heart who just happens to be a filmmaker and not an author, and a wonderful journey that you can’t help but melt into.
Continue reading Stone Reader: This Review Does Not Contain Spoilers, Read It and Go Watch the Movie
One of the best shots in recent history. This, right here, is how you say ‘fuck you’.
Dark Horse (2011)
Written and Directed by Todd Solondz
I should’ve seen this one in theaters. But I didn’t. I listened to people. I should never listen to people. People are shit. By ‘people’ I mean those-who-tell-you-a-movie-sucks-and-that-it-is-an-unwelcome-departure-from-said-filmmaker. Those people. Fuck those people.
Why is it that they never caution you about the right movies? I would’ve killed for someone to tap me on the shoulder before I saw Damsels in Distress and warn me that Whit Stillman—a once perfect filmmaker of remarkable integrity—has decided to cop out and pander to a generation he doesn’t understand, and isn’t even worth understanding. But no. They had to warn me about this one instead.
Continue reading ‘Dark Horse’ & ‘Damsels in Distress’: A Tale of Two Departures
Rob Fortucci, one of my best friends, commissioned this review. I met him in tenth grade—in film class, no less. First hour at Dwight D. Eisenhower High School, in affluent/middle class Shelby Township, Michigan.
By the time we met we had each already cultivated our respective cinephile statuses. Mine was completely traditional—my parents and grandparents are movie buffs and introduced me to all the kid-friendly classics, everything from Spielberg to Chaplin. At around 12, I started venturing out on my own into more ‘subversive’ territory, as one does. By the time I met Rob at 14, I was already a Kubrick, Scorsese, and Allen fanatic, and a true student of the 70’s and ‘golden age cinema’.
Continue reading Eventually, This Will Be a Review of the Movie ‘Husbands’ by John Cassavetes
Written and Directed by Craig Zobel
Warning: Spoilers ahead.
You shouldn’t judge a book by its cover, I know, but when I see a title like Compliance, a red flag goes up in my head. It’s one thing to make a title short (Jaws is brilliant) but it’s another to give away the entire movie’s theme right off the bat. (Gee, I wonder what Shame is about. Perhaps it’s about doubt? No, that’s probably Doubt. What do you think the characters achieve in the movie Atonement? And so on.) When a writer/director/producer/studio chooses a title like Compliance, they’re announcing to the world that their movie is About Something That Should Be Taken Seriously, unlike those plebeian popcorn flicks with actually-great titles such as Drag Me To Hell or The Girl Who Leapt Through Time. As a result, I tend to avoid such seemingly one-note movies. But, I am also ever critical of my arbitrary biases, so I recently decided to test my hypothesis by Netflix-ing this one.
Continue reading I Do Declare ‘Compliance’ To Be The Worst Movie of 2012
Django Unchained (2012)
Written and Directed by Quentin Tarantino
Warning: Very mild spoilers.
Look, I’m not saying that Django Unchained is a bad movie. Or that Pulp Fiction is either. They’re both good movies. Tarantino has never made a bad movie. The good parts of any one of his films always seem to outweigh the bad—the two with the strongest good-to-bad-part ratios being Inglourious Basterds and Jackie Brown. Those two are damn near perfect. All the others are either ‘very good’ (Kill Bill Vol. 1 and 2, From Dusk Till Dawn, True Romance) or just ‘good’ (Reservoir Dogs, Pulp Fiction, Death Proof, Django Unchained). And Death Proof is a bit more solid than Django in my opinion, therefore, Django is his worst since Pulp Fiction. (By the way, I should point out that yes, I’m fully aware that Tarantino wrote, but did not direct, From Dusk Till Dawn and True Romance. If I don’t mention that, some fanboy will point it out in the comments like he knows something I don’t or whatever. Well guess what, hypothetical fanboy? You know nothing I don’t. So you can take that hypothetical fact and shove it. Although, and I don’t wanna get off on a tangent here, but isn’t it weird how often people fall for that ‘Quentin Tarantino Presents’ thing? There are people in this world that legit think Tarantino was involved in the writing or directing or whatever of The Protector, Hostel, and others. Swear to god. I worked a video store, dude. I know things. And that’s honestly the tip of the iceberg as far as ‘weird things customers think’ goes. I’ll have to do an entry or entries about my video store days one of these days…)
Continue reading Django Unchained: Tarantino’s Worst Since Pulp Fiction