Tag Archives: shaun of the dead
Smug Film Podcast Episode #3 – Movies That Got Us Into Movies (4/21/14)
1:15:47 | View on iTunes | Download Mp3
On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss the movies that got us into movies, and were our gateway into obsession. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.
If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.
If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!
Movie Stuff Referenced in this Episode:
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Posted in All Posts, Podcast Episodes
Tagged 2001, 2001 a space odyssey, 29 days later, a clockwork orange, a hard day's night, alan mehrez, albert magnoli, alfred hitchcock, aliens, altered states, anthony kapfer, anthony kapfer comedian, apollo 13, back to the future, batman, batman begins, batman tv show, battlestar galactica, big, blake edwards, bloodsport 2, bloodsport ii, blow, blue velvet, breakfast at tiffany's, breakfast on pluto, brian depalma, bryan singer, buckaroo banzai, casablanca, christian nyby, christopher nolan, chuck russell, cody clarke, commando, danny boyle, david cronenberg, dawn of the dead, dawson's creek, death wish, detour, disco pigs, do the right thing, don hartman, don siegel, donnie darko, ed wood, edgar g. ulmer, edgar wright, eric rohmer, ernest b schoedsack, ethan coen, fargo, ferris bueller's day off, film joke, film jokes, film podcast, forrest gump, francis ford coppola, frank oz, geoff murphy, george romero, going home, groundhog day, hal ashby, handbuilt city, handbuiltcity.org, harold and maude, harold ramis, herbert b. leonard, holiday affair, howard hawks, irvin s. yeaworth, irvin s. yeaworth jr., james bridges, james cameron, jaws, jenna ipcar, joe vs. the volcano, joel coen, john badham, john carney, john damico, john ford, john g. avildsen, john hughes, john patrick shanley, joseph kosinski, jurassic park, ken loach, ken russell, king kong, kirsten sheridan, krzysztof kieslowski, kurt neumann, lee unkrich, lost, lost highway, magnolia, manhunter, mark l. lester, marnie, merian c. cooper, miami vice, michael curtiz, michael mann, mike's murder, movie joke, movie jokes, movie podcast, mystery science theater 3000, nashville, neil jordan, network, night of the living dead, o brother where art thou, o' brother, on the edge, paul thomas anderson, pauline at the beach, pee wee's big adventure, peewee's big adventure, peggy sue got married, penelope spheeris, penny marshall, peter yates, plan 9 from outer space, podcast, podcast ad, podcast advertising, princess bride, pulp fiction, purple rain, quentin tarantino, raising arizona, rambo, rambo; first blood part ii, red eye, ricahrd lester, richard donner, richard kelly, rob reiner, robert altman, robert zemeckis, rocky, ron howard, rushmore, saved by the bell, saving private ryan, scarface, seinfeld, shaun of the dead, sidney lumet, smug film, smug film podcast, smugfilm, smugfilm podcast, spike lee, sponsor a podcast, stand by me, stanley kubrick, star trek, stephen lisberger, steven spielberg, sunshine, ted demme, ted kotcheff, the adventures of buckaroo banzai across the 8th dimension, the big lebowski, the birds, the blob, the blob remake, the boondock saints, the breakfast club, the decalogue, the fly, the fly remake, the friends of eddie coyle, the goonies, the handbuilt city, the lone ranger, the princess bride, the terminator, the thing from another world, the usual suspects, the wind that shakes the barley, the wonder years, thief, tim burton, toy story 3, tron, tron legacy, troy duffy, under siege 2, under siege 2: dark territory, upstream, upstream john ford, w.d. richter, wargames, wayne's world, wes anderson, wes craven, what about bob, where art thou?, who framed roger rabbit, zack snyder
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Not All Movies Should Have Jokes, But All Movies Should Have a Sense of Humor
Click for bigger version.
There is a moment in Fargo (I’ll never stop talking about Fargo) that makes me die with laughter every single time I watch it. The movie is packed with black comedy and irony and brilliant deadpans (the license plate joke, holy shit) and some basic but perfect physical gags (Jean Lundegaard bursting out of the shower draped in its curtain like a kid in a homemade ghost costume), but I ain’t talking abaout all that stuff. I’m talking about the stills above. This moment seems to be more of an editorial in-joke than an actual written joke, but of course you never can tell with the Coen brothers. After Jean’s dad and Stan Grossman and Jerry discuss the plot’s central ransom over breakfast, Jerry is at the counter. The beaming cashier asks how Jerry’s meal was. After he answers rather shortly, he comes back with an affable “How you doin’” and when it cuts back to her, we see her cock her head to the side before it cuts again. All she does is cock her head to the side. No response, no change in expression, just a slight pitch. It’s hilarious. It’s insanely funny.
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Posted in Alex's Essays, All Posts
Tagged 15 minute rule, 50/50 rule, airplane, alex hiatt, an american werewolf in london, andrew nichol, breaking bad, cody clarke, coen brothers, compliance, david lynch, ethan coen, fargo, fight club, fright night, from dusk till dawn, get him to the greek, greg deliso, guillermo del toro, hostel, in time, inland empire, iron man, jean lundegaard, joel coen, ki-duk kim, kim ki duk, life is beautiful, life of pi, lords of salem, louis ck, mike stoklasa, moon, night of the comet, oblivion, p.t. anderson, pacific rim, paul thomas anderson, premium rush, pt anderson, roberto benigni, roderick jaynes, sam raimi, saving private ryan, saw, schindler's list, shaun of the dead, slither, smug film, smugfilm, source code, spider-man 3, spiderman 3, spring summer fall winter and spring, stan grossman, stanley kubrick, steven spielberg, stir of echoes, structural humor, texas chainsaw massacre, the burbs, the dark knight, the evil dead, the hangover, the lords of salem, the room, the texas chainsaw massacre, tremors, troll 2, tucker and dale vs. evil, twin peaks, united 93, wild at heart
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The World’s End: Not The Seth Rogen One, The Other One
From left: Moderator, Edgar Wright, Simon Pegg, Nick Frost
The World’s End (2013)
Directed by Edgar Wright
Written by Simon Pegg & Edgar Wright
It’s a tough thing to come back to your hometown after years of avoidance. Revisiting streets and buildings you once knew so well almost makes you feel like you’re walking through your own personal shrine to your past. One might even categorize it as an almost otherworldly experience.
But the nostalgia only lasts so long, as you slowly realize that really nothing has stayed the same: a Starbucks has replaced your local coffee shop, the faces you once knew have been replaced with haggard and older models, the school bully who made your life hell doesn’t look twice at you, and the punks on the corner have bluish blood and don’t back down even after you’ve knocked their heads off.
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Posted in All Posts, Jenna's Reviews
Tagged asylum, edgar wright, guillermo del toro, hot fuzz, jenna ipcar, nick frost, shaun of the dead, simon pegg, smug film, smugfilm, spaced, the world's end review, the worlds end, three flavors cornetto trilogy, three flavors trilogy, three flavours cornetto trilogy, three flavours trilogy
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The Lords of Salem: A Love Letter To A Lost Genre
The Lords of Salem (2013)
Written & Directed by Rob Zombie
101 min.
Mild spoilers.
If there’s one movie trend I can totally get behind, it’s the “B Movie Love Letter”. It’s almost its own genre at this point. Recent examples include Neil Marshall’s Doomsday, Wright and Pegg’s Shaun of the Dead and Hot Fuzz (and their upcoming The World’s End), Tarantino’s Inglourious Basterds and Django Unchained (really his whole catalogue), Ti West’s House of the Devil, Lexi Alexander’s Punisher: War Zone, and Peter Travis’ Dredd. And Star Wars and Indiana Jones are some not so recent examples. These filmmakers mine their inspirations for their best aspects and transplant them into modern productions—which are almost inevitably better than the movies they pay homage to, as the ‘originals’ were often made quickly and on the cheap just to provide cheap thrills and make a buck or two. Dredd was much talked about last year, and I’m hoping The Lords of Salem gets similar attention this year, because it’s even more fun.
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Posted in Alex's Reviews, All Posts
Tagged alex hiatt, altered states, brandon trost, crank, django unchained, high tension, hostel, hot fuzz, house of 1000 corpses, indiana jones, inglourious basterds, lexi alexander, lords of salem, lords of salem review, paranormal activity 5, peter travis, punisher war zone, quentin tarantino, rob zombie, rosemary's baby, shaun of the dead, smug film, smugfilm, star wars, the devil's rejects, the haunting in connecticut 2, the lords of salem, the lords of salem review, the worlds end, this is the end, ti west, wolf creek
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A Blank Stare Is Worth A Thousand Words
There’s a small moment in Sofia Coppola’s Lost in Translation that’s stuck with me more than the rest of the movie (a movie which is little else besides small memorable moments). It’s the morning when Bill Murray’s character Bob is supposed to leave Tokyo, but he’s all tore up because he’s fallen for the young, idle Charlotte, who’ll stay in Tokyo after he’s gone. Whomever that group of Japanese suits is that’s been hauling from him from job to job wants a picture with him (because he’s a movie star I guess) so they all line up. But when they go to take the photo, Murray’s smile fades and his gaze wanders to watch Charlotte walk to the elevator. The look on his face is packed with enough longing and conflict and anguish to fill a sushi boat—yet his expression is pretty bare. It’s kind of a frown, but not exactly. He looks more tired than anything. It calls to mind the zombie mimicking instructions from Shaun of the Dead: “Vacant, with a hint of sadness. Like a drunk who’s lost a bet.” It’s also sad as hell. It’s not the realization that they’ll never see each other again that gets to me, it’s that damned stare.
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Posted in Alex's Essays, All Posts
Tagged 2001, 2001 a space odyssey, alex hiatt, bill murray, blank stares, fargo, frances mcdormand, hal 9000, kuleshov effect definition, kuleshov effect psychology, kulsehov effect, lost in translation, saving private ryan, shaun of the dead, smug film, smugfilm, star wars, wall-e
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