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On this episode, I am joined by fellow Smug Film contributors Jenna Ipcar and Ned Martin. We discuss all things movie theaters—from our best and worst movie theater experiences, to the best theaters we’ve ever been to. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and close the show with questions from our mailbag.
If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.
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By the way, the beautiful painting above is by artist Marianne Kuhn, and it is called Naro Cinema Norfolk VA. You can see the full painting and buy prints of it at FineArtAmerica.
Movie Stuff Referenced in this Episode:
Continue reading Smug Film Podcast Episode #2 – Movie Theaters (4/14/14)
Field of Dreams. The undisputed king, for sure. But here’s ten other great ones.
It was a really tricky thing putting this together because they’re ranked on niceness, not goodness. Number two and number five are the best movies on the list. But they aren’t the nicest.
Niceness is even harder to define than coolness. Niceness is a warm and fuzzy feeling that a lot of art can generate. Probably the most popular example would be Norman Rockwell paintings. Niceness, like coolness, taps into our primal brains somewhere. We’re wired to feel it because it connects us to each other. But the problem with niceness is that it borders so heavily on cheese. Cheese done right is transcendent. But cheese done wrong is, well, cheesy.
Continue reading The 10 Nicest Movies Ever Made (If These Movies Don’t Make You Cry, You Have a Black Heart)
There’s an odd video on YouTube where Quentin Tarantino lists his 20 favorite movies that have come out since he became a director in 1992. The video was made in 2009—making it a 17th year anniversary celebration of him being a director. The arbitrariness of this echoes The Simpsons’ 138th episode spectacular (although that was a joke).
His list is surprising—in good ways and bad. I love that he lists The Matrix and also makes a point to disregard the sequels “that serve only to tarnish the mythology of a badass movie”. And with Jan de Bont’s Speed, he adds a clever caveat that we “forget everything that happens after the bus stops.” But then, for some reason, he names Woody Allen’s Anything Else—one of his least significant movies. (It’s also kind of a bummer since Allen’s best movie, Deconstructing Harry, came out in ’97—well within Tarantino’s arbitrary 17-year timespan.)
Continue reading ‘Wanna Hang Out?’, or, Airheads is Better Than Dog Day Afternoon