My Streets (2009)
When I was sixteen, I made an extremely bad feature-length film called The Velvet Autumn. It’s two hours and thirty minutes, and it makes absolutely no sense.
The reason it doesn’t make any sense is because at that time in my life, I was obsessed with the visual construction of a movie, and I didn’t yet understand that you don’t just construct images, you construct them in a way that expresses a story. I was consciously working off of the Raging Bull hypothesis—that you create the images first, and your story will come later. Scorsese did a better job at this than me, although he had access to much better materials and had way more experience. But in any event, The Velvet Autumn, and Raging Bull alike, are proof positive that the hypothesis is incorrect—you gotta have the story first.
Continue reading My Streets: The Best ‘So Bad It’s Good’ Movie You’ve Never Seen