You Are Worth Less, Alec Baldwin: A Review-ish Rant on ‘Seduced and Abandoned’

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Seduced and Abandoned (2013)
Written and Directed by James Toback
98 min.

Spoiler-free.

The title of this review contains one of the greatest puns I’ve ever made in my entire life. (To get it, you have to be aware of the song ‘You Are Worthless, Alec Baldwin’, which plays at the very end of the credits of Team America: World Police.) What makes my pun so great and so apt is that this documentary, Seduced and Abandoned, is literally about Alec Baldwin thinking he’s worth a lot more money than he is actually worth, and constantly being reminded by various knowledgable people that he isn’t, and him not understanding. That’s the majority of this movie, which might make it sound like the greatest movie ever made, but unfortunately, it isn’t. It’s downright grating in its unrelenting narcissism. There are parts where you’ll damn near groan your throat off, and eye roll your eyes off. But you should still watch it. It may not be a good film, but it sure as hell is an important one.
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Fuck the Third Act of ‘On The Waterfront’

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Fuck it right to hell, man. I don’t even.

On The Waterfront (1954)
Directed by Elia Kazan
Written by Budd Schulberg
108 min.

Very mild spoilers ahead.

Of the three acts which make up the three act structure, the third act is really the only one which has the ability to fuck you in the ass. You’re watching a movie, you’re digging it, you’re having a good time, you feel safe, and then all of a sudden it’s forcing itself into your butt. We’ve all been there.

A movie is like a penis, basically, and you are like a vagina. When you a watch a movie, you’re letting it inside you, and there’s a certain degree of trust which goes along with that. ‘Don’t hurt me, or at least, if you do hurt me, hurt me in an enjoyable way’—that sort of thing. And if a movie tries to fuck your ass in the first act, you can stop it before the tip is barely in and put on some other movie. Same goes for the second act. But when it fucks you in the ass in the third act, you’re in shock—it goes in and you can’t even believe what’s happening and you just have to lay there as it tarnishes the relationship you had built with it up until that point. And then when it’s done, you don’t know how to feel about it anymore. You remember the good times, sure, but the bad is fresh in your mind.

I had this very experience with On The Waterfront last night, and my booty hole is still twinging with pain.
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‘Life is Sweet’ & ‘Naked’: My Mike Leigh Entry Point

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Until recently, I’d never seen a Mike Leigh film. I’ve been familiar with his name for ages, though. Back in my teens, I worked at a hip indie video store that had a ‘Directors’ section—Allen, Godard, Rohmer, Scorsese, Truffaut, Verhoeven, the list goes on. Anyone with a substantial filmography worth exploring was represented, Leigh included.
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Smug Film At The Movies #1: Escape From Tomorrow

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Escape From Tomorrow (2013)
Written and Directed by Randy Moore
90 min.

Last Friday, Smug Film critics Cody Clarke and Jenna Ipcar went to see Escape from Tomorrow at the IFC Center. Here are their respective spoiler-free takes on it.
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A Journey Through The Nightmare on Elm Streets

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A great behind-the-scenes shot of Patricia Arquette from A Nightmare on Elm Street 3: Dream Warriors.

This month, Amazon had the blu-ray set of all seven Nightmare on Elm Street movies on sale for like $23. I’d never seen any of them before, and at that price, I figured now would be a pretty good time to do so. Even though the series is quite uneven, it’s an interesting one. Here are my thoughts on each, with very mild spoilers, if any:
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