Fuck the Third Act of ‘On The Waterfront’

waterfront

Fuck it right to hell, man. I don’t even.

On The Waterfront (1954)
Directed by Elia Kazan
Written by Budd Schulberg
108 min.

Very mild spoilers ahead.

Of the three acts which make up the three act structure, the third act is really the only one which has the ability to fuck you in the ass. You’re watching a movie, you’re digging it, you’re having a good time, you feel safe, and then all of a sudden it’s forcing itself into your butt. We’ve all been there.

A movie is like a penis, basically, and you are like a vagina. When you a watch a movie, you’re letting it inside you, and there’s a certain degree of trust which goes along with that. ‘Don’t hurt me, or at least, if you do hurt me, hurt me in an enjoyable way’—that sort of thing. And if a movie tries to fuck your ass in the first act, you can stop it before the tip is barely in and put on some other movie. Same goes for the second act. But when it fucks you in the ass in the third act, you’re in shock—it goes in and you can’t even believe what’s happening and you just have to lay there as it tarnishes the relationship you had built with it up until that point. And then when it’s done, you don’t know how to feel about it anymore. You remember the good times, sure, but the bad is fresh in your mind.

I had this very experience with On The Waterfront last night, and my booty hole is still twinging with pain.
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10 More Must-Read Smug Film Posts (We’ve Reached 150 Posts! Woo!)

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While y’all are recovering from food comas, why not catch up on your Smug Film reading? This week, we reached 150 posts, and chances are, you haven’t read all of them. Back when we hit the 100 post mark, we made a list of 10 Must-Read Smug Film Posts, so if you haven’t read the ones on there, definitely do so. And if you have, here’s 10 more, culled from our 50 posts since then:
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‘Life is Sweet’ & ‘Naked’: My Mike Leigh Entry Point

lifenaked


Until recently, I’d never seen a Mike Leigh film. I’ve been familiar with his name for ages, though. Back in my teens, I worked at a hip indie video store that had a ‘Directors’ section—Allen, Godard, Rohmer, Scorsese, Truffaut, Verhoeven, the list goes on. Anyone with a substantial filmography worth exploring was represented, Leigh included.
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An Interview with Zachary Levy, Director of ‘Strongman’

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Zachary Levy’s film, Strongman, is one of the rawest and best cinematic portraits in recent history. In it, he follows Stanley ‘Stanless Steel’ Pleskun, the self-proclaimed ‘strongest man in the world at bending steel’. Over the course of the film, we intimately see Stan’s ups and downs, which are at times comedic, at times tragic, and at times, that perfect, indescribable mix of both. This is a film one watches and never forgets, and thinking back on it later, you almost feel as though you’re thinking back to a chapter of your own life, even though you may have nothing in common with Stan’s experiences and surroundings. It’s that vivid.

I reviewed Strongman a few weeks ago, and I recently had a chance to sit down with Zach and chat about his film. The interview is spoiler-free, so if you haven’t seen the film yet, no worries. But do yourself a favor and see it soon. It’s currently available on iTunes and on DVD.
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How (And Why) To Collect Blu-Rays and DVDs

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A small portion of my collection.

If you’re reading this site, you probably love movies, and if so, you should probably collect them. Now, before you say “No way, collecting is for turkeys!” and turn me down like I’m a bad influence out of a Ninja Turtles PSA, let me explain—this is for your benefit. Collecting gets a bad rap these days, what with shows like Hoarders and whatnot, but a real collector ain’t like those people. A real collector is fucking G. Not to toot my own horn, but I own over a thousand Blu-Rays and DVDs, and if I sold them all off right now, not only would I break even, I’d turn a profit. My collection pays for itself. I repeat—the movies I love pay for themselves. Wanna be like me? Here’s how.
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