4 Halfway Decent Movies In Theaters Now (Hannah Arendt, Frances Ha, The Bling Ring, Berberian Sound Studio)

I’ve been hitting the ol’ theaters hard this month, and I’ve found most of these movies to be decidedly satisfactory. I didn’t ‘love’ any of these, but I would say that if you’re interested in seeing them, you’ll probably enjoy them:

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Hannah Arendt (2012) | Dir. Margarethe von Trotta | 113 min.
Continue reading 4 Halfway Decent Movies In Theaters Now (Hannah Arendt, Frances Ha, The Bling Ring, Berberian Sound Studio)

The Blind Side Opened My Eyes

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of a destructive explosion. Movies were the pinnacle of mindless entertainment, and I saw them as nothing more or less. But levitra vs viagra reviews then again, viagra I didn’t really watch too many movies in general, because back then there wasn’t Audio Description, the service for blind moviegoers like myself that describes key visual elements in between natural pauses in the movie’s soundtrack. Continue reading The Blind Side Opened My Eyes

The Lords of Salem: A Love Letter To A Lost Genre

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The Lords of Salem (2013)
Written & Directed by Rob Zombie
101 min.

Mild spoilers.

If there’s one movie trend I can totally get behind, it’s the “B Movie Love Letter”. It’s almost its own genre at this point. Recent examples include Neil Marshall’s Doomsday, Wright and Pegg’s Shaun of the Dead and Hot Fuzz (and their upcoming The World’s End), Tarantino’s Inglourious Basterds and Django Unchained (really his whole catalogue), Ti West’s House of the Devil, Lexi Alexander’s Punisher: War Zone, and Peter Travis’ Dredd. And Star Wars and Indiana Jones are some not so recent examples. These filmmakers mine their inspirations for their best aspects and transplant them into modern productions—which are almost inevitably better than the movies they pay homage to, as the ‘originals’ were often made quickly and on the cheap just to provide cheap thrills and make a buck or two. Dredd was much talked about last year, and I’m hoping The Lords of Salem gets similar attention this year, because it’s even more fun.
Continue reading The Lords of Salem: A Love Letter To A Lost Genre

Any Day Now: ‘Based On A True Story’ My Ass

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Any Day Now (2012)
Directed by Travis Fine
Written by Travis Fine and George Arthur Bloom
97 min.

Spoiler-free.

What does ‘based on a true story’ mean?

The phrase gets used a lot to promote movies, and both your average joe and your above-average joe, when seeing said phrase, typically assumes it to mean that the basics of the story are true. Maybe there’s some artistic license here or there, some composite characters or whatever, but the movie bears enough resemblance to the actual facts that the phrase can be used in good faith.

This assumption is usually correct. Most movies ‘based on a true story’ are, in fact, that. But occasionally, they aren’t. Occasionally, the phrase is used as a deception. The filmmakers and/or producers know that the movie will have more pull if the phrase is there, so they stick it on a poster or promotional material, even though the film is entirely fictional.
Continue reading Any Day Now: ‘Based On A True Story’ My Ass

3 Films I Saw At Sundance London (Touchy Feely, In A World, History of the Eagles Part One)

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The Sundance film festival has become so large, powerful, and popular in recent years that they’ve begun shipping it on over to my neck of the woods, the United Kingdom. Only a couple of movies make the trip, presumably the best, or at least, the ones the yanks think we’ll like. I saw three while I was there. Here are my thoughts.
Continue reading 3 Films I Saw At Sundance London (Touchy Feely, In A World, History of the Eagles Part One)