The Lords of Salem (2013)
Written & Directed by Rob Zombie
If there’s one movie trend I can totally get behind, it’s the “B Movie Love Letter”. It’s almost its own genre at this point. Recent examples include Neil Marshall’s Doomsday, Wright and Pegg’s Shaun of the Dead and Hot Fuzz (and their upcoming The World’s End), Tarantino’s Inglourious Basterds and Django Unchained (really his whole catalogue), Ti West’s House of the Devil, Lexi Alexander’s Punisher: War Zone, and Peter Travis’ Dredd. And Star Wars and Indiana Jones are some not so recent examples. These filmmakers mine their inspirations for their best aspects and transplant them into modern productions—which are almost inevitably better than the movies they pay homage to, as the ‘originals’ were often made quickly and on the cheap just to provide cheap thrills and make a buck or two. Dredd was much talked about last year, and I’m hoping The Lords of Salem gets similar attention this year, because it’s even more fun.
Continue reading The Lords of Salem: A Love Letter To A Lost Genre
Quentin Tarantino, director of some actually good ‘cool’ movies. This is a companion piece to my 10 Awful Movies People Think Are Cool list. Read that one first. Or read this one first. It doesn’t really matter. Continue reading 10 Actually Good Movies People Think Are Cool
Just a Bunch of Footage
Security camera footage is not a movie, but screened at a film festival with a name like ‘Big Brother’s Kung Fu Grip’ (or some artsy crap) it is. Andy Warhol filming the Empire State Building for nine hours is a movie—the video the real estate agent showed you of the interior of the house on Maple is not. It’s all about context and intention.
Continue reading The Idea of What a Movie Is: A Very Greg Journey Through Film
Django Unchained (2012)
Written and Directed by Quentin Tarantino
Warning: Very mild spoilers.
Look, I’m not saying that Django Unchained is a bad movie. Or that Pulp Fiction is either. They’re both good movies. Tarantino has never made a bad movie. The good parts of any one of his films always seem to outweigh the bad—the two with the strongest good-to-bad-part ratios being Inglourious Basterds and Jackie Brown. Those two are damn near perfect. All the others are either ‘very good’ (Kill Bill Vol. 1 and 2, From Dusk Till Dawn, True Romance) or just ‘good’ (Reservoir Dogs, Pulp Fiction, Death Proof, Django Unchained). And Death Proof is a bit more solid than Django in my opinion, therefore, Django is his worst since Pulp Fiction. (By the way, I should point out that yes, I’m fully aware that Tarantino wrote, but did not direct, From Dusk Till Dawn and True Romance. If I don’t mention that, some fanboy will point it out in the comments like he knows something I don’t or whatever. Well guess what, hypothetical fanboy? You know nothing I don’t. So you can take that hypothetical fact and shove it. Although, and I don’t wanna get off on a tangent here, but isn’t it weird how often people fall for that ‘Quentin Tarantino Presents’ thing? There are people in this world that legit think Tarantino was involved in the writing or directing or whatever of The Protector, Hostel, and others. Swear to god. I worked a video store, dude. I know things. And that’s honestly the tip of the iceberg as far as ‘weird things customers think’ goes. I’ll have to do an entry or entries about my video store days one of these days…)
Continue reading Django Unchained: Tarantino’s Worst Since Pulp Fiction