Tag Archives: brian de palma
An (Imaginary) Interview with Steven Spielberg
I’m not really sitting with you right now, Steven Spielberg, but I want to be. There’s really nothing I could think of that would be more of an achievement. To be honest, I don’t think about your movies enough anymore, and I don’t reference you enough in my pieces on this site. It’s because talking about you is kind of old hat. You are unequivocally the most successful, and the most household name-y of any movie director in history. You created my childhood, and millions upon millions of other childhoods. Your name had as much market value in the 80s and 90s as McDonald’s and Reebok. (I made that last sentence up but it sounds real!)
So anyway, yeah, I’m sitting here (not really) with the most iconic living legend filmmaker of all time, Steven Spielberg:
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Posted in All Posts, Greg's Interviews
Tagged 1941, always, amblin', amistad, animaniacs, back to the future, batteries not included, brian de palma, buffalo 66, catch me if you can, catherine zeta jones, dr. strangelove, duel, fake henrik zetterberg, greg deliso, holly hunter, indiana jones, indiana jones 4, james fargo, john goodman, jurassic park, jurassic park 2, leonardo dicaprio, martin scorsese, matt stone, saving private ryan, schindler's list, smug film, smugfilm, steven spielberg, steven spielberg interview, sugarland express, the goonies, the lost world, the matrix, the sugarland express, the terminal, three o'clock high, trey parker, universal studios
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Remakes: Everyone’s Favorite Complaint
With the remake of Carrie out, it’s that time again for everyone to make their favorite complaint: “Oh god, another remake! It’s like they’re raping my childhood!”
If you’re going to put forth that Hollywood is in need some new ideas, I’ll listen. But it’s not as though this is a new thing. Movies have always mostly been sequels, remakes, or adaptations. Pick any random year since the dawn of cinema and I guarantee you’ll find as many as you do today.
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Posted in All Posts, Greg's Essays
Tagged back to the future 2, back to the future: part ii, brian de palma, carrie, carrie remake, dumb and dumber, dumb and dumber to, dumb and dumberer, e.t., empire strikes back, et, forrest gump, friday the 13th, greg deliso, hollywood remakes, home alone 2, indiana jones, indiana jones and the kingdom of the crystal skull, indiana jones trilogy, jurassic park, movie remakes, smug film, smugfilm, that thing you do, that thing you do: director's cut, the breakfast club, the burbs, the godfather, the shining, tom hanks
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Pieta: How To Pander To A New Audience Without Losing Your Soul
Pieta (2012)
Written and Directed by Kim Ki-duk
104 min.
Spoiler-free.
Kim Ki-duk is one of my absolute favorite filmmakers. And I only even like about half his movies. Some of them are just awful. But the ones I like, I really like. And a few of them, I fucking love.
A lot of people use the word ‘love’ lightly when it comes to movies. These people have most likely never truly been in love with a movie. When you truly love a movie, it becomes a part of your body. The movie finishes, and you look down, and suddenly you have another arm or something. And you’re like, ‘Well, that’s there now.’ You have no impulse to amputate it. It’s truly a part of you, just like every other part that makes up your whole. To rid yourself of it would be to rid yourself of yourself. Continue reading
Posted in All Posts, Cody's Reviews
Tagged 3-iron, bad guy, bad guy kim ki duk, breath, breath kim ki duk, brian de palma, chan-wook park, chanwook park, cody clarke, kim ki duk, lady vengeance, oldboy, pieta, pieta kim ki duk review, pieta kim ki-duk, pieta movie review, pieta review, smug film, smugfilm, spring summer fall winter and spring, sympathy for mr vengeance, the bow, the bow kim ki duk, the untouchables, time, time kim ki duk, vengeance trilogy
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10 Actually Good Movies People Think Are Cool
Quentin Tarantino, director of some actually good ‘cool’ movies.
This is a companion piece to my 10 Awful Movies People Think Are Cool list. Read that one first. Or read this one first. It doesn’t really matter.
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Posted in All Posts, Greg's Lists
Tagged 10 awful movies people think are cool, actually good movies, alan smithee, american history x, american movie, andy wachowski, brian de palma, bruce sinofsky, buffalo 66, call of ktulu, christina ricci, dick dale, eli roth, elliott gould, ethan suplee, expendables, fairuza balk, first blood, goodfellas, greg deliso, groundhog day, hostel, hostel 2, hostel part ii, hostel: part 2, inglourious basterds, joe berlinger, john goodman, keanu reeves, kundun, lana wachowski, martin scorsese, metallica, misirlou, new york new york, paradise lost, paradise lost 2, pulp fiction, quentin tarantino, rambo, reservoir dogs, robert de niro, robert deniro, scarface, scorsese, smug film, smugfilm, storytelling, ted kotcheff, the matrix, todd solondz, tony kaye, vincent gallo, wachowski, wachowski brothers, welcome to the dollhouse
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Everything You Ever Wanted To Know About Brian De Palma (But Didn’t Care Enough to Ask)
When I was in junior high school, Scarface was the most talked about movie in the hallways. It was 2000, and those hallways were a reflection of the culture at large. One time a kid asked me, “Who directed Scarface, Scorsese?” He had never heard of Brian De Palma.
There’s a popular book called Easy Riders, Raging Bulls. It’s a gossipy, oral history of 60s and 70s American movies. In the back of the book, they summarize the directors integral to the movement and give a filmography for each. Spielberg, Coppola, Scorsese, Lucas, and Malick are featured, but not Brian De Palma—despite being mentioned heavily in the book. You’d think the guy that gave Robert De Niro his first on-screen appearance (The Wedding Party, 1969) and gave him steady work way before Scorsese ever did, would be important enough to mention.
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Posted in All Posts, Greg's Essays
Tagged 660124: the story of an ibm card, a hard day's night, adaptation, alfred hitchcock, analyze this, antonioni, apocalypse now, barry sanders, battleship potempkin, be black baby, blow out, blow up, body double, bonfire of the vanities, boogie nights, brazil, brian de palma, brian de palma filmography, brian de palma retrospective, brian depalma, brian depalma filmography, brian depalma retrospective, bruce springsteen, carlitos way, carrie, casualties of war, coppola, courtney cox, danny devito, david koepp, david lynch, dionysus in 69, dr. strangelove, dressed to kill, easy rider, easy riders raging bulls, eraserhead, fangoria, femme fatale, francis for coppola, freaks and geeks, gary sinise, george lucas, get to know your rabbit, goodfellas, greetings, greg deliso, head, help!, hi mom, hitchcock, home movies, icarus, joe montana, joe piscopo, john c. reilly, john carpenter, john lithgow, josh hartnett, jurassic park, jurassic park 2, keith gordon, kims video, king of comedy, kirk douglas, knocked up, kundun, lucas, lynchian, martin scorsese, meet the parents, melanie griffith, michael j fox, mission impossible, mission to mars, obsession, orson wells, p.j. soles, passion, paths of glory, phantom of the paradise, pj soles, pulp fiction, quentin tarantino, rachel mcadams, raising cain, rear window, redacted, rio bravo, robert deniro, robert mckee, sanke eyes, sarah lawrence, scarface, scorsese, sean penn, show me a strong town and i'll show you a strong bank, sisters, smothers brothers, smug film, smugfilm, sopranos, spielberg, split diopter lens, starman, steven spielberg, tarantino, taxi driver, teh fury, the black dahlia, the departed, the godfather, the king of comedy, the lost world, the mission, the thing, the untouchable, the wedding party, tom cruise, tom hanks, touch of evil, william finley, wise guys, woodstock, woton's wake
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