Tag Archives: a hard day’s night
Easy Come, Easy Go (1967) | 95 min.
Lieutenant Ted Jackson (Elvis) is about to be discharged from the Navy after serving his country as a “frogman”—aka, a guy who dives for mines. While out on a mission, a civilian speedboat with three bikinied ladies and a guy, Gil (Skip Ward) who looks like a real life Ken doll, decide to just hang around. Dina (Pat Priest) a bikini-clad blonde, dares Gil to dive down there too and take a photo of what they’re doing.
I can see the boardroom meeting now:
“Listen men, we need a fresh spin for these Elvis movies. Cranking out ‘[insert occupation] Elvis’ films three times a year is all good and fine, but we need to be one step ahead—this rustling overseas from England is making me nervous.”
“Well sir, themes are still popular, and heck, if it ain’t broke, why fix it? Why, the solution is more themes, of course!”
Cut to: Fun In Acapulco.
You ever just wake up one morning and decide to embark on a journey of watching every Elvis movie that ever came out? Well, that happened to me the other day, and guess what, you’re coming along on this ride.
On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss the movies that got us into movies, and were our gateway into obsession. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.
If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.
If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!
Movie Stuff Referenced in this Episode:
When I was in junior high school, Scarface was the most talked about movie in the hallways. It was 2000, and those hallways were a reflection of the culture at large. One time a kid asked me, “Who directed Scarface, Scorsese?” He had never heard of Brian De Palma.
There’s a popular book called Easy Riders, Raging Bulls. It’s a gossipy, oral history of 60s and 70s American movies. In the back of the book, they summarize the directors integral to the movement and give a filmography for each. Spielberg, Coppola, Scorsese, Lucas, and Malick are featured, but not Brian De Palma—despite being mentioned heavily in the book. You’d think the guy that gave Robert De Niro his first on-screen appearance (The Wedding Party, 1969) and gave him steady work way before Scorsese ever did, would be important enough to mention.