Tag Archives: network
Written & Directed by Dan Gilroy
I don’t even know where to start with this one. On so many basic levels, it’s just flat out bad—Nightcrawler is what I would call a full-blooded B movie. How exactly it’s been getting rave reviews, I can’t say I particularly understand. I assume we’re just so desperately hungry for movies that aren’t based off comic books or teen romance novels that most of us will just take whatever we can get.
Yet, as I left the theater, I couldn’t help but wonder if there was something deliberate about the heavy-handed execution of the whole thing. What if these aspects that seemed like missteps were really just deliberate choices made in order to hammer the point of the film home? After all, there did seem to be a very specific point to Nightcrawler: to shine a light on the dangers of unchecked, amoral startups in an economy saturated with entrepreneurial go-getters.
Continuing a series started by John D’Amico.
Shattered Glass is a wonderful movie that doesn’t get enough credit. It’s that case where an indie movie is good enough to be a real movie, so nobody notices it. People do like it, but their eyes don’t light up the way they do when they talk about some shit that sucks like Wendy and Lucy. It’s hip to like crappy shit, whereas, it’s square to like good movies.
On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss the movies that got us into movies, and were our gateway into obsession. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.
If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.
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Movie Stuff Referenced in this Episode:
Nope, not gonna touch this one. Too easy.
It’s easy to pick on classics. In fact, by virtue of being considered ‘classic’, they’re almost assuredly not as good as they’re said to be. Anything so beloved is automatically suspect. This is not contrarianism; it’s healthy skepticism. In an age where most people still aren’t atheists and science is constantly hindered by new age nonsense, skepticism is beyond necessary.
I figured I’d apply that maxim to culture and pick the ten most overrated classic movies ever made. But, like I said, it’s easy to pick on the big ones. Casablanca, The Godfather, and Gone With the Wind all have their place in history, but that doesn’t make them better than Back to the Future. And they aren’t. Not artistically, and certainly not in our collective hearts.
However, here, rather than just list the most acclaimed classic movies and call it a day, I really wanted to hone in on some particular titles that I find obnoxiously overrated: