Smug Film Podcast Episode #6 – Good Movies, Bad Directors / Bad Movies, Good Directors

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1:17:43 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss movies we like by directors we don’t typically like, as well as movies we dislike by directors we typically like. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
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Smug Film Podcast Episode #3 – Movies That Got Us Into Movies (4/21/14)

movietheaters 1:15:47 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss the movies that got us into movies, and were our gateway into obsession. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
Continue reading Smug Film Podcast Episode #3 – Movies That Got Us Into Movies (4/21/14)

Special Effects: Why They Look Right When They Look Right

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The late, great Ray Harryhausen. (1920-2013)

When I was a little kid my grandpa showed me King Kong, the 1933 one.  King Kong doesn’t look real, but it looks good, because it looks right.  Looking ‘right’ is the key.

Special effects are perhaps film’s biggest point of separation from the other arts.  In literature, if you want a monster in your story, you just describe it.  But a movie has to convince you what you’re looking at is real, even when you’re looking at the most not real things humans can dream up.  This takes a perfect synthesis of human imagination, technology, and innovation.
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Remakes: Everyone’s Favorite Complaint

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With the remake of Carrie out, it’s that time again for everyone to make their favorite complaint: “Oh god, another remake!  It’s like they’re raping my childhood!”

If you’re going to put forth that Hollywood is in need some new ideas, I’ll listen.  But it’s not as though this is a new thing.  Movies have always mostly been sequels, remakes, or adaptations.  Pick any random year since the dawn of cinema and I guarantee you’ll find as many as you do today.
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Forrest Gump: A Gritty Indie Film Masquerading as a Hollywood Epic

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Forrest Gump (1994)
Directed by Robert Zemeckis
Screenplay by Eric Roth
From a novel by Winston Groom
142 min.

I know it’s weird, but there are actual people who don’t like Forrest Gump.  (Dr. Seuss described this phenomena as having a heart three sizes too small.)  Sentimentality is a powerful thing—it makes people cry and tricks intellectuals into thinking art isn’t good.  It also tricks moms into thinking that a movie with LSD use, a guy blowing his load early, sexual bartering, and child molestation is appropriate for an 8 year old—or, maybe I just have a really cool mom.

I was flipping through the channels the other day (I don’t use ‘the guide’) and I landed on Forrest Gump, which is the epitome of a ‘whenever it’s on TV I have to finish it’ movie.  I landed on one of Jenny’s hippie scenes, the one where a dude pulls up in a Volkswagen Beetle and asks if anyone wants to go to San Francisco, and Jenny says “I’ll go,” and he says “Far out!”, like a very happy hippie.  At that moment, I had a realization: Forrest Gump is a pretty weird movie to be on ABC Family (which is the channel it was on).  When I was a little kid, Forrest Gump was just a big, fun movie that made me laugh and then cry at the end.  When I was eight, I didn’t understand that when Forrest is sitting on Jenny’s bed in her dorm and she takes off her shirt, he ejaculates early.  Forrest Gump is a gritty, indie film masquerading as a Hollywood epic.

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