Tag Archives: The Long Goodbye
In his review of Sin City: A Dame to Kill For, Armond White opens by declaring that “Neo-noir must be the worst movie genre. It’s an excuse for juvenile filmmakers to pretend cynicism while their imbecile audiences pretend sophistication.”
I can certainly see where he’s coming from. I haven’t seen A Dame to Kill For yet, but I have seen more than enough attempts at neo-noirs that think all there is to the genre is a femme fatale and an anti-hero in a trenchcoat. I’m talking about mediocre, flailing films like Max Payne—or worse, the attempts to bring noir to hip, younger settings like Assassination of a High School President and Lucky Number Slevin. They’re movies that look at the classics of the genre, fall in love with the aesthetic, but have no idea why or how that aesthetic works as it does. As Armond so aptly points out, Sin City and its ilk are all “pretending that it still means something to call a sexy woman ‘dame.’”
On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss movies we like by directors we don’t typically like, as well as movies we dislike by directors we typically like. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.
If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.
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Movie Stuff Referenced in this Episode: