Tag Archives: paul thomas anderson

Proposed Double Feature: ‘Wall Street’ & ‘Boiler Room’

wallboil

Continuing a series started by John D’Amico.

You could watch Wall Street first and then Boiler Room, or the other way around, or be meta and put them both on at the same time and quote the scene where everyone in Boiler Room quotes Wall Street while watching Wall Street.

However you choose, these two movies are way better than The Wolf of Wall Street or that Michael J. Fox one, the one with Helen Slater.

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Smug Film Podcast Episode #3 – Movies That Got Us Into Movies (4/21/14)

movietheaters 1:15:47 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss the movies that got us into movies, and were our gateway into obsession. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
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Smug Film Podcast Episode #2 – Movie Theaters (4/14/14)

movietheaters
1:11:24 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors Jenna Ipcar and Ned Martin. We discuss all things movie theaters—from our best and worst movie theater experiences, to the best theaters we’ve ever been to. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and close the show with questions from our mailbag.

If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

By the way, the beautiful painting above is by artist Marianne Kuhn, and it is called Naro Cinema Norfolk VA. You can see the full painting and buy prints of it at FineArtAmerica.

Movie Stuff Referenced in this Episode:
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‘The Master’: A Tale of Two Addicts

master3


The Master (2012)
Written and Directed by Paul Thomas Anderson
144 min.

Fairly light on spoilers, but see the movie first.

This is a review I’ve been meaning to write ever since Greg’s scathing take. He’s completely wrong about the film, but wrong in a Greg way, which is to say, entirely consistent with how he views films, so s’all good—I expect nothing less from him, and love him for it. But, the thought of his take being the only take on the film on this site just isn’t right, because it’s a great goddamn film. And in the wake of Philip Seymour Hoffman’s passing, it’s certainly been on my mind, given its central theme of addiction—a theme that has, for some reason, eluded many critics.

The infatuation between Freddie Quell (Phoenix) and Lancaster Dodd (Hoffman) is never outright, hammer-over-the-head explained in The Master, leaving many viewers—and even professional reviewers—to come to the most obvious and tittilating and childish of conclusions: that they are deeply closeted homosexuals in love. Undeniably, there’s a degree of homoeroticism to many of their interactions, but to chalk their bond off as mere ‘gayness’ is to ignore what these two men are truly struggling with, and what brought them together in the first place—alcohol.
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R.I.P. Philip Seymour Hoffman

philip


Today we lost one of the absolute best. An actor who put his all in to every role, always giving you your money’s worth, never wasting a moment of your time. A virtuoso, with all the adoration one could ever want or need from their peers and from audiences. Just goes to show, you can have it all, and still throw it away.

Addiction is something I’ve never personally experienced, so I’m by no means an expert. But I do know what it looks like. It looks like the trading of soul gratification for momentary gratification. It looks like an invited wave, grabbing hold of your beach and eroding every castle you’ve ever built, telling you it’s all just sand anyway, so why bother having them. It is evil, and it lies, and it is the ultimate internal resistance. I hope he is finally at peace.

I’d say I ‘miss’ him, but I never knew his mortal self. I only ever knew his timeless self, which will be here as long as cinema—which is to say, forever. Everything good about this man is immortal. Everything bad, I never encountered, and will never encounter. My heart goes out to his family, who I’m sure have been struggling with his two selves for some time. I hope they are able to find peace as well.
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