Tag Archives: casablanca

Jenna Does Elvis #2 – Jailhouse Rock (1957) / King Creole (1958)

jailhousecreole

Okay, we’ve got the fluff out of the way and now we’re getting into two of what are hailed as Elvis’ greatest films.

When last I saw you, I was young and naïve—I had decided to undertake the project of watching every single film from Elvis’ shocking large acting career. Now, four movies in, I would call this the blooming flower period for both Elvis and my Elvis enjoyment. We’ve got Jailhouse Rock, probably Elvis’ most visually recognizable and iconic film—if you’ve ever seen Elvis in a striped shirt, or dancing on a set that looks like a prison, it’s from Jailhouse Rock. Then we have King Creole, which is an Elvis movie you’ve probably heard of people having seen.

If you’re anything like me, you expect both of these to be the most Elvis-y Elvis movies imaginable—full of hips, guitar licks, and sneering lips. But you hold some reservation too, since the first two were such let downs.

So what’s the verdict? Well, keep reading and find out:

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Smug Film Podcast Episode #5 – Rick Harper / The Room / Room Full of Spoons (5/5/14)

roomfull
51:18 | View on iTunes | Download Mp3

On this episode, Jenna Ipcar and I are joined by Rick Harper, producer and director of the upcoming documentary on the cult film The Room, Room Full of Spoons. We discuss both films, his personal experiences with Tommy Wiseau and Greg Sestero, and answer some questions from mailbag. This episode also contains a free DVD giveaway, so be sure to listen! Five lucky listeners will each win a DVD of The Room. The instructions on how to win are in the episode.

If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
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Smug Film Podcast Episode #3 – Movies That Got Us Into Movies (4/21/14)

movietheaters 1:15:47 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss the movies that got us into movies, and were our gateway into obsession. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
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An Interview With Gavin McInnes of ‘The Brotherhood of the Traveling Rants’

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Gavin McInnes is often referred to as “The Godfather of Hipsterdom”, having co-founded the seminal international publication VICE in 1994. But as bold as that moniker may be, it doesn’t tell the whole story, as it was but one chapter in his bizarre legacy of a life. He’s been a cartoonist, played in punk bands, taught English to kindergarteners in China—and since leaving VICE in 2008, this modern day renaissance man has carved a niche as an essayist, an actor, a comedian, a musician, a pundit, and recently, a feature-length filmmaker. His docu-dramedy road movie, The Brotherhood of the Traveling Rants, received a glowing review from yours truly a few weeks ago. His next film, How To Be A Man, is already in the can, and he is currently shooting a third. All this, while juggling a job as the creative director of ad agency Rooster New York. Not to mention, he’s also a husband, and a father of three kids. To say his days are full is an understatement, and I’m honored he found the time to chat with us here at Smug Film.
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On Colorization

she
She (Orig. 1935, Colorized Version 2008)

Colorization is one of those things that people call “controversial”, and like most glib descriptors, it’s a kind of shoddy definition. There’s no controversy over colorizing things. People hate it. Everybody hates it.

The people who care about movies hate it because it paints over esteemed favorites, dolloping them in eerie flesh tones and smeared, lifeless color like a little girl trying out one of those toy makeup kits. Meanwhile, they fail to catch any new blood because those who hate black and white movies don’t just hate black and white movies because they’re in black and white, and a bit of clown makeup will never bridge that psychological distance.
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