Tag Archives: adaptation

Smug Film Podcast Episode #7 – Acting Class / Steven Seagal / Homegrown Cinema

homegrown
1:22:58 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss an acting class John took, Jenna’s foray into the films of Steven Seagal, and for our main topic, we tackle the idea of homegrown cinema. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
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Fuck the Third Act of ‘On The Waterfront’

waterfront

Fuck it right to hell, man. I don’t even.

On The Waterfront (1954)
Directed by Elia Kazan
Written by Budd Schulberg
108 min.

Very mild spoilers ahead.

Of the three acts which make up the three act structure, the third act is really the only one which has the ability to fuck you in the ass. You’re watching a movie, you’re digging it, you’re having a good time, you feel safe, and then all of a sudden it’s forcing itself into your butt. We’ve all been there.

A movie is like a penis, basically, and you are like a vagina. When you a watch a movie, you’re letting it inside you, and there’s a certain degree of trust which goes along with that. ‘Don’t hurt me, or at least, if you do hurt me, hurt me in an enjoyable way’—that sort of thing. And if a movie tries to fuck your ass in the first act, you can stop it before the tip is barely in and put on some other movie. Same goes for the second act. But when it fucks you in the ass in the third act, you’re in shock—it goes in and you can’t even believe what’s happening and you just have to lay there as it tarnishes the relationship you had built with it up until that point. And then when it’s done, you don’t know how to feel about it anymore. You remember the good times, sure, but the bad is fresh in your mind.

I had this very experience with On The Waterfront last night, and my booty hole is still twinging with pain.
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An Interview With Gavin McInnes of ‘The Brotherhood of the Traveling Rants’

gavin


Gavin McInnes is often referred to as “The Godfather of Hipsterdom”, having co-founded the seminal international publication VICE in 1994. But as bold as that moniker may be, it doesn’t tell the whole story, as it was but one chapter in his bizarre legacy of a life. He’s been a cartoonist, played in punk bands, taught English to kindergarteners in China—and since leaving VICE in 2008, this modern day renaissance man has carved a niche as an essayist, an actor, a comedian, a musician, a pundit, and recently, a feature-length filmmaker. His docu-dramedy road movie, The Brotherhood of the Traveling Rants, received a glowing review from yours truly a few weeks ago. His next film, How To Be A Man, is already in the can, and he is currently shooting a third. All this, while juggling a job as the creative director of ad agency Rooster New York. Not to mention, he’s also a husband, and a father of three kids. To say his days are full is an understatement, and I’m honored he found the time to chat with us here at Smug Film.
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Everything You Ever Wanted To Know About Brian De Palma (But Didn’t Care Enough to Ask)

depalma


When I was in junior high school, Scarface was the most talked about movie in the hallways.  It was 2000, and those hallways were a reflection of the culture at large.  One time a kid asked me, “Who directed Scarface, Scorsese?”  He had never heard of Brian De Palma.

There’s a popular book called Easy Riders, Raging Bulls.  It’s a gossipy, oral history of 60s and 70s American movies.  In the back of the book, they summarize the directors integral to the movement and give a filmography for each. Spielberg, Coppola, Scorsese, Lucas, and Malick are featured, but not Brian De Palma—despite being mentioned heavily in the book.  You’d think the guy that gave Robert De Niro his first on-screen appearance (The Wedding Party, 1969) and gave him steady work way before Scorsese ever did, would be important enough to mention.
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Advice Column #3 (4/1/13)

adaptation
Looking for something funny, but not necessarily a straight-up comedy per se. Something with self-referential elements, maybe a little meta. I’ve already seen all the Charlie Kaufman stuff.  – Robert M.

Editor’s Note (12/4/14): We no longer answer movie questions through our advice column. We answer them in the mailbag segment of our podcast. Send them to Cody@SmugFilm.com and we will answer on the show!
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