Tag Archives: twin peaks
On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss an acting class John took, Jenna’s foray into the films of Steven Seagal, and for our main topic, we tackle the idea of homegrown cinema. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.
If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.
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Movie Stuff Referenced in this Episode:
Dear Mr. Lynch,
Beyond the joy of creation, recognition, and the obvious benefits of fame like money and girls, I think the biggest ambition of any artist is to gain the respect of the guys who influenced them. To be considered an equal by them for just five minutes. To talk as peers.
Mr. Lynch, you’re on my short list. However, the road to fame is long, hard, and wrought with happenstance, obstacles, luck, and a zillion other x factors out of my control. I just might not ever make it. And even if I do, I might not ever do anything up your alley. And, not to be crass, but you’re getting up there in years. So, in the unfortunate and likely event that our paths never cross, I figured I’d at least send this little message out into the ether. Maybe you’ll pluck it out of the universe one day while you’re meditating. Or maybe you have a friend who’s a huge Smug Film fan. (Hey, I can dream, can’t I?!)
There is a moment in Fargo (I’ll never stop talking about Fargo) that makes me die with laughter every single time I watch it. The movie is packed with black comedy and irony and brilliant deadpans (the license plate joke, holy shit) and some basic but perfect physical gags (Jean Lundegaard bursting out of the shower draped in its curtain like a kid in a homemade ghost costume), but I ain’t talking abaout all that stuff. I’m talking about the stills above. This moment seems to be more of an editorial in-joke than an actual written joke, but of course you never can tell with the Coen brothers. After Jean’s dad and Stan Grossman and Jerry discuss the plot’s central ransom over breakfast, Jerry is at the counter. The beaming cashier asks how Jerry’s meal was. After he answers rather shortly, he comes back with an affable “How you doin’” and when it cuts back to her, we see her cock her head to the side before it cuts again. All she does is cock her head to the side. No response, no change in expression, just a slight pitch. It’s hilarious. It’s insanely funny.