Michael Bay: Futurist

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Paths of Movement + Dynamic Sequences, 1913 | Transformers: Dark of the Moon, 2011

Editor’s Note: John D’Amico’s piece, Michael Bay: Futurist, is no longer available on this site because it has been selected for inclusion in a upcoming scholarly print examination of the films of Michael Bay which is slated for release in 2018 via a major publishing house.  The book will feature a wide range of new perspectives about Bay’s work from a range of scholars, cinephiles, and filmmakers.

Smug Film Podcast Episode #5 – Rick Harper / The Room / Room Full of Spoons (5/5/14)

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51:18 | View on iTunes | Download Mp3

On this episode, Jenna Ipcar and I are joined by Rick Harper, producer and director of the upcoming documentary on the cult film The Room, Room Full of Spoons. We discuss both films, his personal experiences with Tommy Wiseau and Greg Sestero, and answer some questions from mailbag. This episode also contains a free DVD giveaway, so be sure to listen! Five lucky listeners will each win a DVD of The Room. The instructions on how to win are in the episode.

If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
Continue reading Smug Film Podcast Episode #5 – Rick Harper / The Room / Room Full of Spoons (5/5/14)

Smug Film Podcast Episode #2 – Movie Theaters (4/14/14)

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1:11:24 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors Jenna Ipcar and Ned Martin. We discuss all things movie theaters—from our best and worst movie theater experiences, to the best theaters we’ve ever been to. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and close the show with questions from our mailbag.

If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

By the way, the beautiful painting above is by artist Marianne Kuhn, and it is called Naro Cinema Norfolk VA. You can see the full painting and buy prints of it at FineArtAmerica.

Movie Stuff Referenced in this Episode:
Continue reading Smug Film Podcast Episode #2 – Movie Theaters (4/14/14)

Ender’s Game: Hollywood, Please Let Me Re-Edit It

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Ender’s Game (2013)
Written and Directed by Gavin Hood
114 min.

Very minor spoilers ahead.

I read Ender’s Game a week before seeing the movie, and now I almost wish I hadn’t, because the book is fucking great. I don’t know whether I would have liked the movie more, or less, if I hadn’t read the book first, but I do know that I won’t be able to talk about the movie without talking about the book.

Don’t worry, though—I’m not going to make a checklist of everything the book did right that the movie did wrong. In fact, I’ll say up front that I don’t think that movie adaptations of books have any business being ‘faithful’. Or rather, I think they should be faithful in specific ways, and not in others. For instance, it’s important that an adaptation captures the themes, character arcs, and, whenever possible, the tone of its source. It’s not important that it hits every plot beat, or revisits every location, or namedrops every side character. That sort of keeping faith does little beyond providing little jolts of recognition to fans of the source material. A movie can get bogged down in superfluous details, or tripped up in its pacing, if it just methodically ticks off a checklist of things that happened to have happened in the book. And this, unfortunately, is what happened with Ender’s Game.
Continue reading Ender’s Game: Hollywood, Please Let Me Re-Edit It

Not All Movies Should Have Jokes, But All Movies Should Have a Sense of Humor

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Click for bigger version.

There is a moment in Fargo (I’ll never stop talking about Fargo) that makes me die with laughter every single time I watch it. The movie is packed with black comedy and irony and brilliant deadpans (the license plate joke, holy shit) and some basic but perfect physical gags (Jean Lundegaard bursting out of the shower draped in its curtain like a kid in a homemade ghost costume), but I ain’t talking abaout all that stuff. I’m talking about the stills above. This moment seems to be more of an editorial in-joke than an actual written joke, but of course you never can tell with the Coen brothers. After Jean’s dad and Stan Grossman and Jerry discuss the plot’s central ransom over breakfast, Jerry is at the counter. The beaming cashier asks how Jerry’s meal was. After he answers rather shortly, he comes back with an affable “How you doin’” and when it cuts back to her, we see her cock her head to the side before it cuts again. All she does is cock her head to the side. No response, no change in expression, just a slight pitch. It’s hilarious. It’s insanely funny.
Continue reading Not All Movies Should Have Jokes, But All Movies Should Have a Sense of Humor