Tag Archives: merian c. cooper

Smug Film Podcast Episode #3 – Movies That Got Us Into Movies (4/21/14)

movietheaters 1:15:47 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss the movies that got us into movies, and were our gateway into obsession. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
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Smug Film Podcast Episode #2 – Movie Theaters (4/14/14)

movietheaters
1:11:24 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors Jenna Ipcar and Ned Martin. We discuss all things movie theaters—from our best and worst movie theater experiences, to the best theaters we’ve ever been to. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and close the show with questions from our mailbag.

If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

By the way, the beautiful painting above is by artist Marianne Kuhn, and it is called Naro Cinema Norfolk VA. You can see the full painting and buy prints of it at FineArtAmerica.

Movie Stuff Referenced in this Episode:
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On Colorization

she
She (Orig. 1935, Colorized Version 2008)

Colorization is one of those things that people call “controversial”, and like most glib descriptors, it’s a kind of shoddy definition. There’s no controversy over colorizing things. People hate it. Everybody hates it.

The people who care about movies hate it because it paints over esteemed favorites, dolloping them in eerie flesh tones and smeared, lifeless color like a little girl trying out one of those toy makeup kits. Meanwhile, they fail to catch any new blood because those who hate black and white movies don’t just hate black and white movies because they’re in black and white, and a bit of clown makeup will never bridge that psychological distance.
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King Kong King Kong King Kong King Kong King Kong

kingkong

King Kong (1933)
Directed by Merian C. Cooper & Ernest B. Schoedsack
Screenplay by James Creelman and Ruth Rose
100 min.

KING KONG KING KONG KING KONG KING KONG KING KONG KING KONG
KING KONG KING KONG KING KONG KING KONG KING KONG KING KONG
KING KONG KING KONG KING KONG KING KONG KING KONG KING KONG
KING KONG KING KONG KING KONG KING KONG KING KONG KING KONG
KING KONG KING KONG KING KONG KING KONG KING KONG KING KONG
KING KONG KING KONG KING KONG KING KONG KING KONG
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