Tag Archives: the shining

Smug Film Podcast Episode #2 – Movie Theaters (4/14/14)

movietheaters
1:11:24 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors Jenna Ipcar and Ned Martin. We discuss all things movie theaters—from our best and worst movie theater experiences, to the best theaters we’ve ever been to. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and close the show with questions from our mailbag.

If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

By the way, the beautiful painting above is by artist Marianne Kuhn, and it is called Naro Cinema Norfolk VA. You can see the full painting and buy prints of it at FineArtAmerica.

Movie Stuff Referenced in this Episode:
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Remakes: Everyone’s Favorite Complaint

carrie


With the remake of Carrie out, it’s that time again for everyone to make their favorite complaint: “Oh god, another remake!  It’s like they’re raping my childhood!”

If you’re going to put forth that Hollywood is in need some new ideas, I’ll listen.  But it’s not as though this is a new thing.  Movies have always mostly been sequels, remakes, or adaptations.  Pick any random year since the dawn of cinema and I guarantee you’ll find as many as you do today.
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Shelley Duvall: And All At Once I Knew

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By and large, the film community has a frustrating habit of undervaluing some of our less conventional actresses. Great talents like Viveca Lindfors, Alfre Woodard, and Catherine Burns tend to promise more than they’re ever really allowed to deliver. We embrace the hell out of our oddball actors like Walken, Goldblum, and Buscemi (and with good reason, what a harvest of incredible parts those three yield), but it seems to me that things are tougher out there for a woman who’s not conventional enough to be a romantic lead.

So, I’d like to take a moment here and profess my appreciation for one of the rare talents of all of cinema, a woman who, despite major criticism, consistently gave some of the best and most memorable performances in film history.
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