Since Hollywood decided to do Rocky vs. Raging Bull, I figured I’d do the same.
Stories are a template. For practical purposes, the story is the plot (it actually isn’t, but just bear with me). A story is only as good as the way it’s told. Rocky has a decent story, a story we’ve heard a million times, but it’s told with care and craftsmanship. Rocky, the story, executed as the film Rocky, is transcendent—whereas Rocky, the story, executed as the film The Mighty Ducks, is okay I guess. Raging Bull is not a story—it’s information about a guy, dressed up stylistically. That doesn’t make it bad, but, it makes the two difficult to compare.
Continue reading Rocky vs. Raging Bull
Quentin Tarantino, director of some actually good ‘cool’ movies. This is a companion piece to my 10 Awful Movies People Think Are Cool list. Read that one first. Or read this one first. It doesn’t really matter. Continue reading 10 Actually Good Movies People Think Are Cool
When I was in junior high school, Scarface was the most talked about movie in the hallways. It was 2000, and those hallways were a reflection of the culture at large. One time a kid asked me, “Who directed Scarface, Scorsese?” He had never heard of Brian De Palma.
There’s a popular book called Easy Riders, Raging Bulls. It’s a gossipy, oral history of 60s and 70s American movies. In the back of the book, they summarize the directors integral to the movement and give a filmography for each. Spielberg, Coppola, Scorsese, Lucas, and Malick are featured, but not Brian De Palma—despite being mentioned heavily in the book. You’d think the guy that gave Robert De Niro his first on-screen appearance (The Wedding Party, 1969) and gave him steady work way before Scorsese ever did, would be important enough to mention.
Continue reading Everything You Ever Wanted To Know About Brian De Palma (But Didn’t Care Enough to Ask)