Tag Archives: todd solondz
Smug Film has obtained an exclusive transcript of a phone call between Josh Pais and his agent, made moments after Pais watched the trailer for Foxcatcher, and boy is it juicy! See for yourself:
As of the time I’m writing this, Todd Solondz on Becoming a Filmmaker & Welcome to the Dollhouse has 412 views in the 6 months it’s been online. That is a travesty. It’s one of the best short films I’ve seen in ages, albeit an unintentional one.
It’s basically just Todd Solondz being interviewed by a film major at Drexel University, Zachary Shevich, but really it’s so much more. It contains all the precise uncomfortability you might expect from a Solondz film, but wholly organic. For starters, it’s as though Solondz is being interviewed by one of his characters—Zachary’s vibe and mannerisms and attire are similar to that of the protagonist of Dark Horse and certain side characters from Storytelling, Palindromes, and Life During Wartime. Then, there’s the production values—the setting, a college screening room, is uncomfortably overlit; Solondz’ lavalier microphone is placed on the wrong side of his lapel for the direction he is speaking, as though they were nervous to be interviewing him and weren’t thinking, and maybe even switched sides last minute; the lower third graphic stating their names is a depressingly ugly, brown, clipart film strip, with a bland font; there are random mic rumbles here and there from breathing and fidgeting, and at certain points, Solondz bows his head and accidentally talks quite loudly into his mic. On top of all of this, you of course have Solondz’ calmly dour and intimidating demeanor. It’s a must-watch.
My favorite moment is the cut at 1:23 where we see the exact distance and body language of our two characters. That’s the shot at the top of this post. By the way, there’s a Part 2! You can watch both parts below:
I don’t really get into my political leanings here at Smug Film, for the obvious reason of this being a site about movies, not politics, but also because I hate creating arbitrary ‘dividing lines’ in my work. It’s petty, and I can’t stand when others do it. For instance, I’m a huge Woody Allen fan, I think he’s our greatest American filmmaker, but I cringe whenever he peppers little jabbing jokes against the Right in his films when the story doesn’t even call for it. Those sort of winks to the audience take you out of the film momentarily, whether you agree with them or not. It’s distracting and wholly unnecessary. So rest assured, people who disagree with me politically—there will be no lazy digs, or insults, or other ‘playing to the base’ bullshit in this post whatsoever.
This list will be of particular interest to libertarians, that’s a given, but even if that ain’t your particular alignment, it should at least be a unique window in the the sort of things we, or at least I, care about, both politically and philosophically. And don’t worry, there are no propaganda docs on here; these are simply great movies, many of which (hell, probably all of which) aren’t even made by libertarians. Whether intentionally or unintentionally, they just so happen to contain, within their myriad elements, certain elements that we get a kick out of. Enjoy! Continue reading
It’s not hard for comedies to slip under the radar. Like any ‘genre film’, so many are pumped out each year that it’s almost impossible to keep track of which ones are good. Unless something gets an alarmingly high rating on Rotten Tomatoes, or was made by people you trust no matter what the Tomatometer says, you probably aren’t going to see it. And then you’re going to forget it even existed. Here’s ten great ones that probably passed you by.