Tag: alex hiatt

A Smug Film Bonus Post About the 2013 Oscars

oscarfuck


Cody’s Oscar Thoughts:

I hate the god damn Oscars. Basically, for all the same reasons everyone hates the Oscars, so I don’t need to get into all that here. However, I still watch every year, because the tree of disgust for Hollywood must be refreshed from time to time by the blood of patriots. (I think Thomas Jefferson said that.)

Of what’s nominated, basically, Joaquin should win Best Actor (his acting in The Master is as good as acting can possibly get) Michael Haneke should win Best Director (I haven’t seen Amour yet, but the man can do no wrong, and fuck the Academy for snubbing The White Ribbon for Best Foreign Film a few years back) Amour should win Best Picture (because fuck you again) and Emmanuelle Riva should win best actress. (I’m sure she’s great in Amour. She’s a great actress. Léon Morin, Priest is like the greatest thing ever.)
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I Do Declare ‘Compliance’ To Be The Worst Movie of 2012

compliance

Compliance (2012)
Written and Directed by Craig Zobel
90 min.

Warning: Spoilers ahead.

You shouldn’t judge a book by its cover, I know, but when I see a title like Compliance, a red flag goes up in my head. It’s one thing to make a title short (Jaws is brilliant) but it’s another to give away the entire movie’s theme right off the bat. (Gee, I wonder what Shame is about. Perhaps it’s about doubt? No, that’s probably Doubt. What do you think the characters achieve in the movie Atonement? And so on.) When a writer/director/producer/studio chooses a title like Compliance, they’re announcing to the world that their movie is About Something That Should Be Taken Seriously, unlike those plebeian popcorn flicks with actually-great titles such as Drag Me To Hell or The Girl Who Leapt Through Time. As a result, I tend to avoid such seemingly one-note movies. But, I am also ever critical of my arbitrary biases, so I recently decided to test my hypothesis by Netflix-ing this one.
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When Effects Lose Their Effect

effects


Unless I’m in the mood for a truly down-to-earth story, I watch movies in order to be transported to places I’ll never go and live moments I never could in real life. In a word, I want escapism. And I get annoyed when I try to escape into an ostensibly escapist movie, only to be jolted out of it because the creators fucked up when it came to immersion. Although aspects such as the story and the characters are undeniably the most important, immersion is also very crucial. Many elements combine to form a truly immersive experience: score, sound design, acting, lighting, camerawork, and, of course, effects.
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How to Make a Kids’ Movie

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Sanders and DeBlois know badass.

How to Train Your Dragon (2010)
Directed by Chris Sanders and Dean DeBlois
Written by Will Davies, Chris Sanders, and Dean DeBlois
98 min.

You know that moment in Ratatouille when a single bite of Remy’s “peasant dish” confit byaldi delivers an almost spiritually transformative experience to the soul-dead critic Anton Ego? That happened to me when I first watched How To Train Your Dragon. I’m a perpetually grumpy 24-year-old undergraduate STEM major, and it takes a pretty special movie to penetrate the cold stone that encapsulates my heart, so I was quite surprised when this one, quite effortlessly, did just that. So, you’ll have to forgive me if, over the course of this review, my arguments devolve into fanboyish ranting. I ain’t saying HTTYD is the best thing since The Lion King, but it is the best animated kids’ movie made in the U.S. since at least Wall-E, and is easily one of the best computer animated movies of all time.
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Premium Rush is the Best Action Movie You Didn’t See in 2012

premium rush review

Michael Shannon and Gordon-Levitt make a memorable cat and mouse pair.

Premium Rush (2012)
Directed by David Koepp
Written by David Koepp and John Kamps
91 min.

2012 was full of self-serious groaners pretending to be action movies. I’m talking about the ones with oppressively sullen atmospheres and desaturated colors and adults speaking in serious tones about serious consequences. Skyfall and The Bourne Legacy and what have you. The poster child for this recent spate of ‘grown up’ action movies is, of course, The Dark Knight and its sequel—two movies that stupid people argue feature ‘moral complexities’ not found in your average popcorn flick. Give me a break. Personally, I can’t stand when a movie with an inherently fantastical and silly premise carries itself too seriously. And with Man of Steel and Star Trek Into Darkness dominating 2013’s action lineup, it seems like we won’t be out of Nolan’s shadow for a while.
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