The Brotherhood of the Traveling Rants: That Weird Penis Guy Made a Great Movie

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The Brotherhood of the Traveling Rants (2013)
Directed by Steve Durand, Bryan Gaynor, Gavin McInnes
68 min.

Most of the people reading this probably have no idea who Gavin McInnes is. My first introduction to him was through his weird penis. I’m a big fan of Terry Richardson’s photography, and many years ago I saw a couple photos by him of some guy with pointy facial hair and a very pointy foreskin*. These photos forever stuck with me, and it wasn’t until about a year ago that I saw this mystery man again, on Red Eye with Greg Gutfeld. Turns out the pointy foreskin man is a smart and funny writer and comedian who has a lot of great outside-of-the-box opinions on stuff. And now, with this movie, I’ve been surprised by him once again—the man has some serious acting and filmmaking chops.

The Brotherhood of the Traveling Rants is one of those sorta-documentaries containing some real scenes and some fake scenes. This kind of gimmick is usually annoying and unsettling, because you never really have a sure foothold, and you spend the duration of the film trying to deduce what’s real and what’s fake rather than just following the actual story. This film gets that, though. The switch-offs between real and fake here are so goddamn tongue-in-cheek and good spirited that by the end, the whole damn thing approaches transcendence, satisfying both your funny bone and your heartstrings in ways you will never have thought possible from what is essentially a standup comedy film.
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To The Wonder: Fuck You, It’s Good

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To The Wonder (2013)
Written & Directed by Terrence Malick
112 min.

Everybody likes Malick. Anyone who says they don’t is full of shit. There are moments of pure transcendence in each one of his films, whether you like the whole thing or not. Shots where the light coming from the sky is godly, or where an actor or actress looks better than they’ve ever looked, or where the camera makes a perfect yet seemingly impromptu motion. You can’t love movies and not go crazy over that sort of shit.

However, he can be quite frustrating at times. This is almost entirely due to the fact that he’s a very subjective editor. Most films that exist are edited fairly objectively—and I don’t just mean linearly, I mean that most of the cuts are for purpose, not for feeling. Malick, on the other hand, cuts mostly for feeling and vibe. This gives each one of his films its own personal wavelength, and you’re either riding it gleefully, or watching it pass you by, wondering what the hell is going on.
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Blue Jasmine: Woody Allen’s Most Visceral Film In Damn Near Ever

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Blue Jasmine (2013)
Written and Directed by Woody Allen (Duh)
98 min.

Woody Allen is my absolute favorite filmmaker, so it’s kind of funny that I’ve never reviewed one of his movies on here (not counting my brief glowing endorsement of Zelig in my 10 Films Every Libertarian Should See list). I guess I just don’t really have much to say about his films, which isn’t true, but fuck you I just don’t feel like it. Basically, I like, or like like, or love all his movies, and I definitely have lots of things to say about them, but where to start? Do I just do a series of lists, each covering a different decade? I guess. That’s probably the best way to go about it. But fuck you, that sounds like a lot of work. So I’ll just review Blue Jasmine for now, and do all that other stuff in the future, which most scientists agree is far, far away and not at all worth thinking about.
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The World’s End: Not The Seth Rogen One, The Other One

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From left: Moderator, Edgar Wright, Simon Pegg, Nick Frost

The World’s End (2013)
Directed by Edgar Wright
Written by Simon Pegg & Edgar Wright

It’s a tough thing to come back to your hometown after years of avoidance. Revisiting streets and buildings you once knew so well almost makes you feel like you’re walking through your own personal shrine to your past. One might even categorize it as an almost otherworldly experience.

But the nostalgia only lasts so long, as you slowly realize that really nothing has stayed the same: a Starbucks has replaced your local coffee shop, the faces you once knew have been replaced with haggard and older models, the school bully who made your life hell doesn’t look twice at you, and the punks on the corner have blue-ink blood and don’t back down even after you’ve knocked their heads off.

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Hell Baby: The Best Summer Movie of 2013

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If that ain’t masterful mise-en-scéne, I don’t know what is.

Hell Baby (2013)
Written and Directed by Robert Ben Garant & Thomas Lennon
98 min.

Today’s review was slated to be Blue Jasmine, because I saw that last week and I certainly have a lot to say about it (sorry, next Monday, I promise) but then I realized that I’d somehow forgotten to ever write about Hell Baby, which I saw a few weeks ago when it came out on VOD and enjoyed a great deal. I suppose I could’ve written about Hell Baby next week, and stuck to writing about Blue Jasmine today, but fuck it—the mere moment the words ‘Hell Baby’ were back in my head, I couldn’t stop giggling. In fact, I’m still smiling, as I write this. And if that ain’t the textbook sign of a perfect summer comedy (and of a more fun thing to write about) I don’t know what is.
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