Anchorman 2: The Pursuit of Stupidity

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Anchorman 2: The Legend Continues (2013)
Directed by Adam McKay
Written by Will Ferrell & Adam McKay
119 min.

There’s a certain kind of joke that makes you groan.  Airplane! is built out of these jokes—every moment in Airplane! is a joke so cheesy, obvious, and bizarre in its construction that the only apt response is a groan and an eye roll.  This is a joyous, appreciative response.  The jokes work.  “Let’s get some pictures!”—and then all the reporters take pictures off the wall.  It’s so fucking stupid and obvious—yet something you’d never expect.  It’s playful and silly and not the least bit offensive.  And these jokes may appear simplistic, but they aren’t.

Invisibility is the best friend of style.  The more ‘obvious’ a joke may seem, often times, the more creativity there is underneath its surface.  The jokes in Airplane! are not ‘stupid’—they’re clever and advanced.  They are meta, esoteric, and the epitome of auteurism.

Anchorman, Wet Hot American Summer, Freddy Got Fingered, Spaceballs, and Airplane! are not only are they some of the greatest comedies of all time, they are some of the most interesting meta-artistic achievements of all time.
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A Dig Through Walmart’s Bargain Bin

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I never go to Walmart.  Not out of some liberal hatred for it or anything, though. I don’t go because here in Michigan, we have a superstore called Meijer which makes it unnecessary to shop anywhere else.  (The people here call it ‘Meijers’ by the way—it’s a stupid, Michigander thing.)  Anyway, last night I went to Walmart with some friends, because they wanted to go to Walmart, and I was at their mercy, so I went.

Walmart has a bargain bin.  A real one.  Meijer phased out their bargain bins a while back, which sucks, and is really the only thing that sucks about Meijer.
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Greg DeLiso’s 2013 in Film

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I haven’t been to the theater much lately.  And by lately, I mean since I was a kid.  I’m basically waiting for them to make movies again (see The Idea of What a Movie Is). I mostly deferred to John’s list to see what even came out this year:
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Rocky vs. Raging Bull

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Since Hollywood decided to do Rocky vs. Raging Bull, I figured I’d do the same.

Stories are a template. For practical purposes, the story is the plot (it actually isn’t, but just bear with me). A story is only as good as the way it’s told. Rocky has a decent story, a story we’ve heard a million times, but it’s told with care and craftsmanship.  Rocky, the story, executed as the film Rocky, is transcendent—whereas Rocky, the story, executed as the film The Mighty Ducks, is okay I guess.  Raging Bull is not a story—it’s information about a guy, dressed up stylistically. That doesn’t make it bad, but, it makes the two difficult to compare.
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An (Imaginary) Interview with Steven Spielberg

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I’m not really sitting with you right now, Steven Spielberg, but I want to be.  There’s really nothing I could think of that would be more of an achievement.  To be honest, I don’t think about your movies enough anymore, and I don’t reference you enough in my pieces on this site.  It’s because talking about you is kind of old hat.  You are unequivocally the most successful, and the most household name-y of any movie director in history.  You created my childhood, and millions upon millions of other childhoods.  Your name had as much market value in the 80s and 90s as McDonald’s and Reebok.  (I made that last sentence up but it sounds real!)

So anyway, yeah, I’m sitting here (not really) with the most iconic living legend filmmaker of all time, Steven Spielberg:
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