When YouTube started to happen, it seemed like the great leveler. Kids in their basement suddenly had distribution equal to that of the major Hollywood studios. And following in the wake of cheaper and better video equipment, it looked like the control of all media had shifted from ‘The Man’ to the everyman.
The results of this have been dismally revealing.
Thanks to the internet, and YouTube, we now have confirmation that 99.999% of all art completely sucks. Before, we could only look to the establishment and their putrid output to see how bad everything is. But with every person on earth making stuff, and throwing it up on there, we now have proof that almost nobody can make anything good.
Continue reading I Want To Talk About The Internet
Last week, I introduced you all to the best so-bad-it’s-good movie you’ve never seen. The above video is a compilation of my favorite parts, and here is my full review I promised:
Continue reading My Streets: The Best Parts & Full Review
My Streets (2009)
When I was sixteen, I made an extremely bad feature-length film called The Velvet Autumn. It’s two hours and thirty minutes, and it makes absolutely no sense.
The reason it doesn’t make any sense is because at that time in my life, I was obsessed with the visual construction of a movie, and I didn’t yet understand that you don’t just construct images, you construct them in a way that expresses a story. I was consciously working off of the Raging Bull hypothesis—that you create the images first, and your story will come later. Scorsese did a better job at this than me, although he had access to much better materials and had way more experience. But in any event, The Velvet Autumn, and Raging Bull alike, are proof positive that the hypothesis is incorrect—you gotta have the story first.
Continue reading My Streets: The Best ‘So Bad It’s Good’ Movie You’ve Never Seen