Tag Archives: proposed double features
Bringing to Smug Film a project I started at Shot Context, in which I offer unusual and enriching double features.
At long last, our troubled protagonist—violent, family-less, unable to conform—shakes loose his pursuers. We lean forward in our seats. The ocean is before us; the black-and-white frame blanches in the unforgiving sunlight. Long a source of comfort for our hero, we are finally here. And the camera tightens on his face. A face defined by captivity, always hemmed in with fences and borders, sees the sea. But that’s it. We can go no further. The journey is over. The end.
It’s a curious, but perhaps not entirely unsurprising fact that little Antoine Doinel—director Francois Truffaut’s alter ego—meets the same end that the Creature from the Black Lagoon did three years earlier. A close look at the films, and filmmakers, might account for this lovely synchronicity.