Tag: smugfilm

Wes Anderson, Please Don’t Become Tim Burton

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Wes Anderson is capable of perfect moments like this. But I don’t think he even cares.

I love him, don’t get me wrong. I’m a Wes Anderson fan. I really am. Every single one of his movies are either very good or great. Well, almost every single one. His latest, Moonrise Kingdom, is quite bad. And that worries me. Because until it, Anderson had that whole ‘style and substance’ thing down pat—and then suddenly, not so much. To the untrained eye, one might assume it was simply a much-needed slapdash, throwaway, breather film after the hard work and meticulousness of Fantastic Mr. Fox. But I suspect something worse going on. I suspect hackery.
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In Defense of ‘Save The Cat’

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Steve Wiebe: one of the greatest heroes in cinema.

Spoilers ahead. If you haven’t seen The King of Kong (what is wrong with you?) see it before reading.

I saw The King of Kong five times in the theater, which is a record for me (I only saw Jurassic Park four times).  I saw it the night it opened at the AMC in Times Square, and the theater was about half full, which is pretty impressive for a limited release documentary.
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Spring Breakers: Holy Shit, Harmony Korine Made A Good Movie

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Spring Breakers (2012)
Written & Directed by Harmony Korine
94 min.

That thing I said, in the title of this review? That’s a thing I never thought I’d say in a million years. I am not a Harmony Korine fan. I don’t like any of his movies. He has always struck me as someone with absolutely no comprehension of what parts of his films are good and what parts are weak, and somewhat proud of not knowing, and proud of editing in a slapdash way. For instance, in one of his notorious Letterman appearances from the 90’s (which I actually do enjoy watching, they’re awkward and fun and he has some genuinely witty improv moments) he boasts that he doesn’t care about plot, and that when he watches movies all he really remembers are characters and a few scenes, so he wants to create movies that consist entirely of random moments. That sort of thing doesn’t appeal to me whatsoever as a filmgoer or a filmmaker.
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My First Feature Film Is Almost Done

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I’ve told this story a billion times so this time I’m going to try to include some more details.  When my late grandpa, Tom Easton, was ten years old, he saw Fantasia in the theater.  He always wanted to be a cartoonist but his dad was cold and distant and thought cartoons were for kids and no way to make a living.  But despite that lack of encouragement, Tom did some cool things.  He avoided combat in the Korean War by teaching art on base and drawing army posters.
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Netflix Longies #2 (Thunder Soul, 26 Years: The Dewey Bozella Story, Rolling Thunder, Mobsters, Batman: The Movie)

If you don’t know what Netflix Longies is, go read the first paragraph of Netflix Longies #1. I don’t feel like having to write it out again or copy and paste it or whatever. Anyway, here we go:

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Thunder Soul (2010) | Dir. Mark Landsman | 83 min.

I’m big into soul and R&B and funk and whatnot. Earth Wind & Fire, Frankie Beverly, Blue Magic, The Stylistics, Tavares, The Commodores—the list goes on. That’s the kind of music I was raised on, instead of Raffi or Barney or whatever. And there’s a channel on Time Warner Cable, in the MusicChoice section, called R&B Classics (channel 608 in NYC) and pretty much every night I’m listening to that while working on my laptop. It’s just calming as all hell.
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