The Blind Side Opened My Eyes

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https://www.exam2pass.com/700-901.html ‘learned something today’, I admit, I’m usually skeptical. Did they just memorize something, or did they actually take something away—i.e., did they develop an individual thought? Did their world shatter? During my youth I didn’t believe that movies, with their overdramatic diction and flashy action scenes, could actually reach down http://genericcialisonline-rxnow.com/ in my soul far enough to teach me something. Movies weren’t there to do

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that. Movies were there to make me laugh at someone with toilet paper canada goose jas trailing out of their butt as they’re leaving the bathroom. Movies were there to allow me to soak in the hugeness

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of a destructive explosion. Movies were the pinnacle of mindless entertainment, and I saw them as nothing more or less. But levitra vs viagra reviews then again, viagra I didn’t really watch too many movies in general, because back then there wasn’t Audio Description, the service for blind moviegoers like myself that describes key visual elements in between natural pauses in the movie’s soundtrack. Continue reading The Blind Side Opened My Eyes

Any Day Now: ‘Based On A True Story’ My Ass

any


Any Day Now (2012)
Directed by Travis Fine
Written by Travis Fine and George Arthur Bloom
97 min.

Spoiler-free.

What does ‘based on a true story’ mean?

The phrase gets used a lot to promote movies, and both your average joe and your above-average joe, when seeing said phrase, typically assumes it to mean that the basics of the story are true. Maybe there’s some artistic license here or there, some composite characters or whatever, but the movie bears enough resemblance to the actual facts that the phrase can be used in good faith.

This assumption is usually correct. Most movies ‘based on a true story’ are, in fact, that. But occasionally, they aren’t. Occasionally, the phrase is used as a deception. The filmmakers and/or producers know that the movie will have more pull if the phrase is there, so they stick it on a poster or promotional material, even though the film is entirely fictional.
Continue reading Any Day Now: ‘Based On A True Story’ My Ass

This Is The End: Hopefully, Yes

theend

The entire movie looks this goddamn ugly, albeit higher resolution. (Sorry, this was the best image I could find online that represented the actual look of it and wasn’t just production stills or whatever.)

This Is The End (2013)
Written and Directed by Evan Goldberg & Seth Rogen
107 min.

This film doesn’t need to exist.

I don’t mean that in a hyperbolic, insulting way. It’s completely true. This is an entirely superfluous film. And I’m sure those involved would agree, and giggle at the thought (especially the giggle-prone Rogen) and take pride in the fact that they made such a useless movie. But I’m not smiling, or laughing, or giggling.
Continue reading This Is The End: Hopefully, Yes

The Happening: A Filmmaker’s Film

happening
Shyamalan wants you to look at this image and see evil. That’s a beautiful thing.

The Happening (2008)
Written & Directed by M. Night Shyamalan
91 min.

Spoiler-free.

There exists a phenomenon in the arts where an artist, or a given work, is so bursting with subtle, glorious aspects that only fellow artists in the field or truly knowledgable critics can pick up on that when ‘civilians’ check it out, they see it as simply empty and stupid and boring. Their untrained eyes are so fixed on the surface elements that they miss the masterful sleights of hand underneath. This happened with The Happening. What’s unique here though is that filmmakers, for some reason, have yet to jump in and defend it and help civilians understand its wonderful aspects—probably because, for the most part, they themselves are just as clueless.
Continue reading The Happening: A Filmmaker’s Film

Pieta: How To Pander To A New Audience Without Losing Your Soul

pieta


Pieta (2012)
Written and Directed by Kim Ki-duk
104 min.

Spoiler-free.

Kim Ki-duk is one of my absolute favorite filmmakers. And I only even like about half his movies. Some of them are just awful. But the ones I like, I really like. And a few of them, I fucking love. 

A lot of people use the word ‘love’ lightly when it comes to movies. These people have most likely never truly been in love with a movie. When you truly love a movie, it becomes a part of your body. The movie finishes, and you look down, and suddenly you have another arm or something. And you’re like, ‘Well, that’s there now.’ You have no impulse to amputate it. It’s truly a part of you, just like every other part that makes up your whole. To rid yourself of it would be to rid yourself of yourself.
Continue reading Pieta: How To Pander To A New Audience Without Losing Your Soul