The Master (2012)
Written and Directed by Paul Thomas Anderson
144 min.
Warning: this review contains spoilers I guess. Nothing happens in this movie though, so you can’t really be ‘spoiled’.
The Master isn’t a movie. It’s a bunch of footage. I’ll get to that, but first I need to walk you through how I feel about P.T. Anderson’s filmography. Excluding Hard Eight. Let’s just pretend Hard Eight doesn’t exist. That’s not difficult, since nobody has seen it or even heard of it. So, starting with Boogie Nights:
Boogie Nights is about a guy, Dirk Diggler, that part is clear, but then, for no reason, there’s a bunch of footage of other guys—ancillary ones. This is because P.T. Anderson wanted to make a three-hour movie. Which is insulting. It’s insulting because rather than try to make a good movie that people will like, he simply wanted to make a three-hour movie. And the way he attempted to do this (I say ‘attempted’ because the finished version is 155 minutes) was through loading it with superfluous side characters whose arcs don’t matter. They matter so little that their conclusions are either mind-blowingly lazy (the shot of Rollergirl sitting in a high school classroom shoved into a montage at the end) or completely nonexistent (we must visit the deleted scenes on the DVD to see what happens to the black porn actress. Apparently the guy she married beats her for some reason.)
Continue reading The Master: P.T. Anderson’s Bunch of Footage That Got Released Somehow
The second most interesting thing that happens in Meek’s Cutoff.