Tag Archives: Saloon

Jenna Does Elvis #15 – Charro! (1969) / The Trouble With Girls (1969)

charrotrouble

It’s the home stretch! After this post, I have only ONE Elvis movie left to go!

I’ve thus far neglected to really delve into the historical backdrop for these films—however, it is now 1969, and boy have we come a long way. When Elvis’ first film came out in 1956, he was a mere 21 years old and had just debuted his “Hound Dog/ Don’t Be Cruel” single. Elsewhere in 1956, Norma Jean changed her name to Marilyn Monroe, Eisenhower got his second term, Grace Kelly became a princess, and the Supreme Court declared the Alabama Bus segregation laws illegal. 

Now, in 1969, Nixon has become president, Neil Armstrong has taken one small step for man, Woodstock has burst onto the scene, The Beatles recorded Abbey Road, the Manson murders happened, and Don Draper had a zen moment on a California mountaintop. 

Though the world has changed, Elvis has largely stayed the same—if you judged America solely by Elvis movies, you’d think we never made it past ’63. These last ones, however, are real wild cards:

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Jenna Does Elvis #9 – Girl Happy (1965) / Tickle Me (1965)

girltickleWell, I can finally say that I’m in no-man’s land as far as these films are concerned. With The British Invasion in full swing and the quality of these films going down, down, down, Elvis was starting to lose his patience, and it shows. In fact, he hated the music he was forced to record for Girl Happy so much he refused to record any new songs for several months after—and I can’t say I blame him. As a result, all of the songs in Tickle Me are just recycled from previous recordings.

As for me, well, I’ve now watched eighteen Elvis films—that’s more than halfway through—and I’m finally starting to feel some fatigue. On one hand, I’m really enjoying how much Elvis knowledge I’ve acquired—I find myself being able to have conversations with people I know in which I drop a ton of Elvis facts with ease and confidence, and being able to watch them respond in turn with polite nods and glances at their watches. Well, after these next two films, I too was looking at my watch. The year is 1965, and as dopey as I thought Help! was, these next two make it look like a lost Spielberg epic.

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