While y’all are recovering from food comas, why not catch up on your Smug Film reading? This week, we reached 150 posts, and chances are, you haven’t read all of them. Back when we hit the 100 post mark, we made a list of 10 Must-Read Smug Film Posts, so if you haven’t read the ones on there, definitely do so. And if you have, here’s 10 more, culled from our 50 posts since then:
Continue reading 10 More Must-Read Smug Film Posts (We’ve Reached 150 Posts! Woo!)
Compared to you, I’m still a Showbiz big shot. Trust me on that. I’ve made a lot of money, I’ve got a shitload of impressive credits, and in a few small circles, I’ve been afforded cult star status—but I won’t bore you with the resume. Look it up for yourself, or just take my word for it. (You ain’t gonna do either, and don’t think I don’t know that.)
However, it’s not much solace that most of my glitzier credits now wave to me from my rearview mirror despite the fact that some of my best work has been done within the last twelve months. (You know, I promised myself a long time ago that if I ever used the phrase, “Some of my best work,” I’d hang myself in a closet and hope the press attributes it to kinky sex gone awry. Hey, it worked for David Carradine, right?)
Continue reading The Hollywood Shuffle: Tales From a Showbiz Bigshot (Part One)
Through the annals of film history, we generally look to the 70s as the epicenter of the independent film explosion. And while filmmakers like Coppola, Scorsese, Altman, De Palma, Spielberg, and Lucas were the respective patient zeros, this ‘golden era’ really only marks a midpoint in an evolution that began much earlier and has continued on into today. There have always been independents and they come in all shapes and sizes. I like to say the best independent film ever made is The Empire Strikes Back. It’s ironic to think that the epitome of big budget, effects driven, Hollywood cinema could be considered independent, but it is—and Empire’s spirit, and Clerks‘s spirt, are one and the same.
Continue reading The Bet Still Stands, Larry David: An Interview with Indie Filmmaker Sam Henry Kass