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A Rebuttal to ‘Gravity: A Lifetime Movie in Space’

gravity2


Gravity (2013)
Directed by Alfonso Cuarón
Written by Alfonso Cuarón & Jonás Cuarón
90 min.

The following is a rebuttal to a recent Smug Film review, ‘Gravity: A Lifetime Movie in Space‘. Mild spoilers.

Gotta disagree on all counts.

Let’s go through it. The 3D diorama effect was kind of essential here, because it’s a film in a setting where people are literally thin slices floating on a plane of nothingness. It created strong contrasts between Bullock and the stars, debris and earth, and even the thumb-printed glass of the helmet and the actor’s faces. There’s one moment where a space station, a person, and the Earth are all in frame, separated by hundreds of miles, and all perfectly in focus because of a lack of atmospheric distortion. The 3D made that distance come alive in a way it can’t in 2D. It’s about gulfs, impossible blank gulfs, and that’s why it’s one of the only truly essential uses of 3D I’ve seen yet. About the only other one I can think of is Cave of Forgotten Dreams, which used it to bring out distances of millimeters of depth on a wall. Seems like 3D is at its best when it’s working with the very small or the very large.
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Gravity: A Lifetime Movie In Space

Sandra Bullock


Gravity (2013)
Directed by Alfonso Cuarón
Written by Alfonso Cuarón & Jonás Cuarón
90 min.

Mild spoilers ahead.

Wow. I guess the moon really is made out of cheese.

That was my immediate thought at the end of this movie, as a sea of applause erupted in the theater, or more accurately, an archipelago of applause. In its sparseness, I knew that I was not the only one who felt this way, which was a relief, because after the damn-near unanimous praise this thing had been receiving as of late, I fully expected the hive mind crowd to suddenly and collectively smell my distaste and crawl over the seats, and each other, to come rip me apart limb from limb. Instead, I merely had to endure the requisite long line to exit the theater, and then the long line down the countless escalators leading back to Earth, during which everyone seemed unusually quiet, stuck in their own minds, trying to process their feelings. Not in the way that occurs after a Haneke film or something; this was different. It seemed as though many, including myself, were wondering if they’d seen the same movie that the professional critics and faceless fanboys online had seen.
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