Django Unchained: Tarantino’s Worst Since Pulp Fiction

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Django Unchained (2012)
Written and Directed by Quentin Tarantino
165 min.

Warning: Very mild spoilers.

Look, I’m not saying that Django Unchained is a bad movie. Or that Pulp Fiction is either. They’re both good movies. Tarantino has never made a bad movie. The good parts of any one of his films always seem to outweigh the bad—the two with the strongest good-to-bad-part ratios being Inglourious Basterds and Jackie Brown. Those two are damn near perfect. All the others are either ‘very good’ (Kill Bill Vol. 1 and 2, From Dusk Till Dawn, True Romance) or just ‘good’ (Reservoir Dogs, Pulp Fiction, Death Proof, Django Unchained). And Death Proof is a bit more solid than Django in my opinion, therefore, Django is his worst since Pulp Fiction. (By the way, I should point out that yes, I’m fully aware that Tarantino wrote, but did not direct, From Dusk Till Dawn and True Romance. If I don’t mention that, some fanboy will point it out in the comments like he knows something I don’t or whatever. Well guess what, hypothetical fanboy? You know nothing I don’t. So you can take that hypothetical fact and shove it. Although, and I don’t wanna get off on a tangent here, but isn’t it weird how often people fall for that ‘Quentin Tarantino Presents’ thing? There are people in this world that legit think Tarantino was involved in the writing or directing or whatever of The Protector, Hostel, and others. Swear to god. I worked a video store, dude. I know things. And that’s honestly the tip of the iceberg as far as ‘weird things customers think’ goes. I’ll have to do an entry or entries about my video store days one of these days…)
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Netflix Quickies #1 (Sleepwalk With Me, Red Hook Summer, Cavegirl, Zeta One, Good Deeds)

Alright so whenever I go on Netflix Instant I just sorta pick random movies from my queue, try them for a few minutes, and then if I’m not feeling them moving on to another until I finally find one I don’t hate, and then I watch that one. This ‘Netflix Quickies’ thing is basically gonna be a series where I just talk about movies I decided not to watch after the first couple minutes and explain exactly what turned me off about them. Here goes:

SleepwalkSmall

Sleepwalk With Me (2012)
Directed by Mike Birbiglia and Seth Barrish
Written by Mike Birbiglia, Joe Birbiglia, Ira Glass, and Seth Barrish
90 min. (gave up after 2 min.)
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Treasures from the Warner Archive

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Katherine Hepburn in Christopher Strong (1933)

A few weeks back, Cody interviewed me about the state of film, and we got to talking about the availability of formerly-rare films on the internet. We both slipped up a bit, though, and forgot to discuss one of the great innovations of the past few years: the Warner Archive.
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Actually Good Romance Movies to Watch With Your Girl on Valentine’s Day

cabin boy
Just kidding. Don’t watch Cabin Boy with your girl on Valentine’s Day, dude. What the hell is wrong with you? Although, if she’s down, marry her.

Disclaimer: Ladies, this list is written for the fellas, but that doesn’t mean you shouldn’t still read it. Totally still read it, and basically just choose whatever movie on here seems most up your alley, and make your guy procure it.
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When Effects Lose Their Effect

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Unless I’m in the mood for a truly down-to-earth story, I watch movies in order to be transported to places I’ll never go and live moments I never could in real life. In a word, I want escapism. And I get annoyed when I try to escape into an ostensibly escapist movie, only to be jolted out of it because the creators fucked up when it came to immersion. Although aspects such as the story and the characters are undeniably the most important, immersion is also very crucial. Many elements combine to form a truly immersive experience: score, sound design, acting, lighting, camerawork, and, of course, effects.
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